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              <text>CA and MO are firmly within the exemplum tradition. [RFY1981].</text>
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              <text>Welter, J. T. L'Exemplum dans la Littérature Religieuse et Didactique du Moyen Age. Paris: Occitania, 1927, pp. 207-09. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Mirour de l'Omme (Speculum Meditantis)&#13;
Confessio Amantis</text>
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              <text>Brief discussions of stories that Gower and Chaucer tell in common; comparisons of characterization in MO and VC with Chaucer's style of handling characters. [RFY1981].</text>
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              <text>French, Robert D. A Chaucer Handbook. New York: Crofts, 1927, pp. 25-26, 221-22, 231, 268, 284, 334, 339, 340, 363. </text>
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Style and Versification</text>
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              <text>An early version of the "Coffee-table" Book: large and illustrated social-literary history; biography and brief discussion of works; illustration of St. Mary Overey and Gower's tomb (from Richard Gough, 1796]). [RFY1981]</text>
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Schucking, Levin</text>
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              <text>Heckt, Hans, and Levin Schucking. Die Englische Literatur im Mittelalter. Wildpark-Potsdam: Akademische Verigsgesellschaft Athenaion, 1927, pp. 70, 108, 109-12, 113, 117 126, 131, 149, 152. </text>
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              <text>Erudite and well-documented review of Gower's use of fortune in all of his works, major and minor. Fortuna is an important for Gower, although he never uses the goddess in ways uncharacteristic of his time. [RFY1981]</text>
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              <text>Patch, Howard R. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press, 1927, pp. 24, 30 40, 47-49, 51, 53, 55-59, 61, 63-64, 66, 68, 70-72, 76-77, 79, 81, 83, 94, 97, 99-100, 102-05, 107-11, 113, 119, 121, 155-57, 166, 169. </text>
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Sources, Analogues, and Literary Relations</text>
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              <text>Primary interest is historical, and in showing relationships between literary and standard history. Brief comments on Gower's handling of Chaucer's affairs, on Gower's death and financial circumstances. [RFY1981]</text>
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              <text>Coulton, G. G. Chaucer and His England. 4th rev. ed. London: Methuen, 1927, pp. 52, 73, 117, 145. </text>
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Sources, Analogues, and Literary Relations</text>
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              <text>Reports variously what is known about Gower-Chaucer relationship; sees them as friends and as helpful critics of each other's poetry. [RFY1981]</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>"Wrote good verse, but not good poetry"; plot summary of CA; Gower was a moralist and a patriot. [RFY1981]</text>
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              <text>Hearn, Lafcadio. </text>
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              <text>Hearn, Lafcadio. A History of English Literature in a Series of Lectures., 2 vols. Tokyo: Hokuseido, 1927, I, 106, 112. </text>
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              <text>Schroer, M. M. A. Grundzüge und Haupttyopen der englischen Literaturgeschichte. Berlin and Leipzig, De Gruyter, 1927, pp. 142-44. </text>
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              <text>Prints (with expurgations of sexual material) from CA Book I, 93-266; "Albinus and Rosemund," Book 1, 2459-2662; "Travellers and the Angel," Book II, 291-372; "Ceix and Alceone," Book IV, 2927-3123; "Jason and Medea," Book V, 3247-4222; and portions of the dialogue between the Lover and his Confessor, Book IV, 1083-1244 and 2771-2926; Book V, 7030-7194. Text reprinted from Reinhold Pauli (1857), but lineated according to Macaulay (1899-1902). [RFY1981; rev. MA]</text>
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              <text>Brunner examines works proposed as sources for Ben Jonson's "Volpone," including Gower's "Tale of the King and the Steward's Wife" (CA V. 2643-2825), concluding that (219) "Die Erzahlung bei Gower steht Ben Jonson sicher näher als alle anderen bisher herangezognen" ("The narrative of Gower's is certainly closer than all others consulted up to now"). [RFY. Copyright. John Gower Society. eJGN 43.1]</text>
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              <text>Brunner, Karl. "Die Quellen von Ben Jonson's 'Volpone'." Archiv für Studium der Neueren Sprachen und Literature 152, n.s. 52 (1927): 218-19.</text>
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Confessio Amantis</text>
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              <text>Gilbert's article examines the influence of the Secretum Secretorum (SS) on Book 7 of the CA (84-93) and on Hoccleve's Regement of Princes (93-98). Whereas Macaulay suggested that Gower is indebted to the SS only for "scattered fragments" (85), Gilbert argues not only for additional verbal parallels, but also suggests an important structural similarity. Just as Gower's division of philosophy into three parts is derived from Brunetto Latini, so Gower's five points of policy in the second half of Book 7 are likely based on some version of the SS that is no longer extant. In Gower's marginal Latin, two of the points are spoken of as policies "principum regiminis" or "ad principis regimen," and the SS was frequently referred to by the title De Regimine Principum (86). The point of policy that receives the most attention from Gilbert is Liberality, which Gower calls "largitas" in the Latin, following the SS rather than, for instance, the medieval translation of Aristotle's Ethics (used by Aquinas) where the term liberalitas is employed (88). After also dealing with passages from the sections on Justice, Pity, and Chastity, Gilbert concludes with some thoughts about which language Gower read the SS in. It seems likely that "Gower possessed the whole work in Latin" (93), although none of the extant versions accounts for all of Gower's borrowings. [CvD]</text>
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              <text>Gilbert, Allan H. "Notes on the Influence of the Secretum Secretorum." Speculum 3.1 (1928), pp. 84-98.</text>
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              <text>Summarizes Gower's criticisms of the Church for corruption found in MO, VC, and CA. [RFY1981]</text>
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              <text>Schneider, Rudolf. "Der Monch in der englischen Dichtung bis auf Lewis's 'Monk,' 1795." Palaestra 155 (1928): 46-50. </text>
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              <text>Lüdeke, H.  Die Funktionen des Erzählers in Chaucers epischer Dichtung. Halle: Max Niemeyer, 1928, pp. 5-6, 13, 14, 20, 25, 26, 27, 28, 29, 30, 36, 40, 41, 43, 44, 48. </text>
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              <text>Confessio Amantis&#13;
Style, Rhetoric, and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>Argues that CA is an amorous dream vision, representative of the traditions in its handling of natural scenery, opening lines, and characterization. Puts Chaucer in the context of French amorous writers, Gower, Langland, "Pearl," and continental poets such as Machaut, Boccaccio, and Dante. [RFY1981]</text>
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              <text>Brief assessment of works and sources; Gower was a moral storyteller. [RFY1981]</text>
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Sampson, George</text>
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              <text>Brooke, Stopford A., and George Sampson. English Literature from A.D. 670 to A.D. 1832. London: Macmillan, 1928, pp. 40-41, 48, 54. </text>
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              <text>Crawford, Jack R. What to Read in English Literature. New York: Putnam, 1928, pp. 27-28, 33, 35, 109. </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="96439">
                <text>What to Read in English Literature.</text>
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            <name>Date</name>
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                <text>1928</text>
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  <item itemId="10063" public="1" featured="0">
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              <name>Title</name>
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                  <text>Gower Collection</text>
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          <elementTextContainer>
            <elementText elementTextId="96447">
              <text>As a poet and thinker, Gower was a "typical product of the Middle Ages." [RFY1981]</text>
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              <text>Widdows, Margharita.</text>
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          <name>Published</name>
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            <elementText elementTextId="96449">
              <text>Widdows, Margharita. English Literature. New York: Dutton, 1928, pp. 37-40, 43, 55. </text>
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          </elementTextContainer>
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        <element elementId="56">
          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="96450">
              <text>Backgrounds and General Criticism</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="96445">
                <text>English Literature.</text>
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            </elementTextContainer>
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            <name>Date</name>
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              <elementText elementTextId="96446">
                <text>1928</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Gower Collection</text>
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              <text>The name is Norman French, meaning "seven winnowing fans," three of which surmount the family arms (azure, three fans or). The first Septvans documented in England held the manor of Aldington in Kent, in 1180. The article names wives and children (with a detailed family tree between pp. 112-13), and provides dates of births and deaths into the 17th century. There is a very brief mention of the "Septvans case," involving the fleecing of the under-age William de Septvans, and some account of his later life, including his capture, while serving as Sheriff of Kent, by the rebel mob in 1381 (112-13). [RFY. Copyright. John Gower Society. eJGN 44.1]</text>
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              <text>Tower, Sir Reginald.</text>
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          <name>Published</name>
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            <elementText elementTextId="98836">
              <text>Tower, Sir Reginald. "The Family of Septvans." Archaeologia Cantiana 40 (1928): 105-30.</text>
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          <name>Gower Subject</name>
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            <elementText elementTextId="98837">
              <text>Biography of Gower</text>
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              <elementText elementTextId="98832">
                <text>The Family of Septvans.</text>
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            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="98833">
                <text>1928</text>
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              <name>Title</name>
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                  <text>Gower Collection</text>
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        <element elementId="52">
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          <elementTextContainer>
            <elementText elementTextId="92955">
              <text>Outlines Gower's use of rhetoric in the CA primarily, with slight notice paid to its presence in MO and VC; examples of figures, mostly presented in comparison with Chaucer's practice.</text>
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              <text>Naunin, Traugott.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="92957">
              <text>Naunin, Traugott. Der Einfluss der mittelalterlichen Rhetorik auf Chaucers Dichtung. Bonn, 1929, Excurs I, 57-60.</text>
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        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="92958">
              <text>Style, Rhetoric, and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="92953">
                <text>Der Einfluss der mittelalterlichen Rhetorik auf Chaucers Dichtung.</text>
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              <elementText elementTextId="92954">
                <text>1929</text>
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            <elementText elementTextId="93910">
              <text>Gower was a contemporary of Chaucer. [RFY1981].</text>
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          <name>Author/Editor</name>
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              <text>Reynolds, George F.</text>
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            <elementText elementTextId="93912">
              <text>Reynolds, George F. English Literature in Fact and Story. New York: Century, 1929, pp. 52-3, and 58. </text>
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          </elementTextContainer>
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        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93913">
              <text>Backgrounds and General Criticism</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
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              <elementText elementTextId="93908">
                <text>English Literature in Fact and Story.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93909">
                <text>1929</text>
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          <elementTextContainer>
            <elementText elementTextId="94069">
              <text>Relates Gower's VC, III, 1495, "redundant," to Wordsworth's use of "overflowing."  No author given. [RFY1981].</text>
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          <elementTextContainer>
            <elementText elementTextId="94070">
              <text>"Hibernicus." "Overflowing with the Sound." Times Literary Supplement, 25 April, 1929, p. 338</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94071">
              <text>Language and Word Studies&#13;
Vox Clamantis</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94067">
                <text>"Hibernicus." "Overflowing with the Sound." </text>
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          </element>
          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="94068">
                <text>1929</text>
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  <item itemId="9720" public="1" featured="0">
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              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="94395">
              <text>Gower's mentions of Troilus in CA (I, 2794-97; V, 7597-602; VII, 2531-35) show that Chaucer's poem is popular. Gower, like, Langland, did not "Bask in court favor, nor venture upon the perilous paths of undisguised realism." [RFY1981].</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94396">
              <text>Shannon, Edgar Finley.</text>
            </elementText>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94397">
              <text>Shannon, Edgar Finley. Chaucer and the Roman Poets. Harvard Studies in Comparative Literature, VII. Cambridge, Mass.: Harvard University Press, 1929, pp. 170, 382</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94398">
              <text>Sources, Analogues, and Literary Relations&#13;
Style, Rhetoric, and Versification&#13;
Confessio Amantis</text>
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        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
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              <elementText elementTextId="94393">
                <text>Chaucer and the Roman Poets.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94394">
                <text>1929</text>
              </elementText>
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            <elementText elementTextId="85302">
              <text>In the Spanish version of the CA, mention is made of a Portuguese translation by one Robert Paym, canon of Lisbon. Manley finds evidence that there was indeed a family of Payms in Lisbon in the latter part of the fourteenth century. He mentions two documents in the Archivo Nacional that tell us about a certain Tomalin Paym, who appears to have been in charge of queen Philippa's jewels. The Lancastrian connection (Philippa was John of Gaunt's daughter and brother to Henry) is further strengthened by the knowledge that the name of a John Payn - Paym is the Portuguese form of the English name Payne - crops up frequently in the accounts concerning Henry's expeditions to Prussia and the Holy Land. It is to John and Tomalin Payn (or Paym) that Robert is most likely related. Of the various candidates for Robert Paym, the likeliest may be a certain "Robert Payn, of Whitby, clerk" (470), who in 1390 was licensed to pass beyond the sea to the Roman court, where the Pope may have granted him a canonry in Lisbon. Manly admits that much of this must remain speculation. However, he suggests that it is not surprising that Gower's CA would be translated into Portuguese. Such a translation would be favorably received by Philippa and her husband, who were both "fond of books" (471). The CA had also been dedicated to Henry, from whom Gower had received a silver collar of SSS. Manly ends with an expression of hope that one day not only Gower's Portuguese CA may be found in a Portuguese collection, but also that one of Chaucer's works may be found among the "uncatalogued treasures" (472) of those collections. [CvD]</text>
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          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="85303">
              <text>Manly, John Matthews</text>
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          </elementTextContainer>
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          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="85305">
              <text>Confessio Amantis</text>
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          <elementTextContainer>
            <elementText elementTextId="91070">
              <text>Manly, John Matthews. "On the Question of the Portuguese Translation of Gower's Confessio Amantis." Modern Philology 27.4 (1930), pp. 467-472.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="85299">
                <text>1930</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91037">
                <text>On the Question of the Portuguese Translation of Gower's Confessio Amantis.</text>
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            </elementTextContainer>
          </element>
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              <description>A name given to the resource</description>
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              <text>Gower's humor "piquant" and in its dry understatement "nearer the central terperament of English humor" than many of his contemporaries." [RFY1981].</text>
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              <text>Cazamian, Louis.</text>
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              <text>Cazamian, Louis. The Development of English Humor. New York: Macmillan, 1930, pp. 137-40.</text>
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              <text>Vallese, Tarquinio.</text>
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              <text>Vallese, Tarquinio. Goffredo Chaucer: Visto da un Italiano. Milan, Genoa, Rome, Naples: Società Anonima Editrice Dante Alighieri, 1930, pp. 2, 74, 102, 117. </text>
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Sources, Analogues, and Literary Relations</text>
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              <text>Terms Gower's style "chiselled," in comparison with Chaucer's, and alludes to their interdependence as poets. [RFY1981]</text>
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              <text>Attempts to discover if Chaucer cared about the evil plight of commons in late fourteenth-century England; uses various passages from CA and MO for comparison and  background, after arguing Gower was demonstrably concerned about the fate of the people. [RFY1981]</text>
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              <text>Patch, Howard R. "Chaucer and the Common People." Journal of English and Germanic Philology 29 (1930): 376-84. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Mirour de l'Omme (Speculum Meditantis)&#13;
Confessio Amantis</text>
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              <text>Street generally argues that Gower is caught between his own age and the sentimentality of courtly love fashionable in France two centuries earlier (230). In the course of this argument, Street also comments on everything from Gower's politics to his style. After a brief discussion of Gower's disaffection with Richard II, Street describes the Prologue of the CA as idealistic, foggy, and vague. There are only brief moments – such as his criticism of the clergy – where Gower approaches "the close analysis and clear vision of Langland" (230). In addition, Gower's "modern" (232) quality is that he opposes fatalism and thinks independently. The latter quality is demonstrated by his habit of inserting odd digressions and morals into his tales. At the same time, Gower makes "heroic efforts to be consistent" (232); the CA is unified by Gower's critical reconstructive spirit and his honesty" (232). After these general comments, Street pursues her main theme: Gower's treatment of courtly love. Whereas Andreas Capellanus and Chrétien de Troyes treat love as "illicit and adulterous" (234), Gower prefers monogamy and Christian love. The most important figure in his allegory is "Daunger" and Gower never "idealises amorous abandonment" (235). Street increasingly compares Gower to Chaucer, and argues that Gower delights in sentimentality, manners, and abstract moralizing, whereas Chaucer specializes in realism, humour, and psychology (although Gower is the better sociologist). Street also briefly praises Gower's "In Praise of Peace" and describes Gower's style as smooth and graceful. Gower uses images primarily for clarity (rather than ornamentation) and his wisdom tends to the proverbial and the commonplace (239). Street illustrates these stylistic features by comparing Gower and Chaucer's versions of the story of Medea. She concludes with a brief description of the story of Petronella to show that while Gower is no match for Chaucer, he should nevertheless be appreciated for his "fine pathos . . . delicacy of sentiment . . . [and his] smooth verse" (241). [CvD]</text>
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              <text>Street, Ethel. "John Gower." London Mercury 24 (1931), pp. 230-242.</text>
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              <text>As the title implies, Heather surveys folklore about precious stones in Gower's time period. Heather is quick to point out that for the fourteenth century no radical distinction is to be made between an illiterate "folk" and a cultured elite. As a result, Gower's learned references in the CA are frequently listed as examples of more widespread beliefs or superstitions. Along with Book 7 of the CA, tales that are repeatedly mined for evidence include the stories of Jason and Medea, Adrian and Bardus, and Lucius and the Statue. Occasionally Heather pauses to explain a point about a Gower quotation. For instance, Heather argues that in the description of the stones associated with the sun in Book 7, the name "Ceramius" might be a corruption of "Ceraunius," also known as the "thunderbolt," because this stone supposedly falls down with lightning. Aside from connecting stones with magic, royalty, and with other natural objects (stars, herbs, etc.), Heather briefly dwells on Gower's understanding of eclipses (394). [CvD]</text>
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              <text>Heather, P. J. "Precious Stones in the Middle-English Verse of the Fourteenth Century." Folklore 42 (1931), pp. 217-264.</text>
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              <text>Fox compares Gower's scientific knowledge to that of his contemporaries and finds him wanting. For instance, Chaucer shows "eager curiosity and extensive learning in the sciences" (156), whereas Gower is more of an amateur. Gower's scientific passages have the feel of a popular encyclopedia (like the "Tresor"), for which one needed only a "literary facility, the ability to express one's thought in pleasing fancy" (157). At times Gower explains his subject matter quite well (e.g., alchemy), whereas at other times he is out of his depth. In fact, Gower's astrology is particularly poor and there is "no reason to believe that Gower could have used an astrolabe or cast a horoscope" (156). In chapter one (titled the introduction), Fox reviews Gower's general attitude to science. Gower sees all knowledge as aiming for a better understanding of God. This also leads him to connect science with a broad understanding of "kinde" as both nature and kindness. For the CA this means that Gower closely examines sexual desire, and while he finds its fulfillment in marriage, he is not a prude (8). The chapter ends with a discussion of fortune. Fox concludes that Gower is not fatalistic, but that fortune is "a manner of speech with Gower, a convenient phrase for an element of human experience" (15). &#13;
 Chapter two deals ostensibly with the theory of the microcosm, but in actuality covers a great variety of topics, from Gower's views on hermaphroditism to the four complexions of man.  Fox also discusses medieval superstitions that result is in such areas of pseudo-science as physiognomy.  Not surprisingly, medieval medicine has a tendency to be secretive, something that is reflected in the titles of books like the "Secretum Secretorum."&#13;
Chapter three (titled "The Microcosm") deals primarily with Gower's discussion of the elements in CA 7.  Fox shows that Gower does not always understand his source, Brunetto Latini, as when he accidentally forgets the doctrine that God created the universe "ex nihilo."  Despite his limited knowledge, Gower does borrow also from other sources (e.g., Vincent of Beauvais) and Fox spends considerable time explaining technical terms like "intersticion" and "impressions."&#13;
Chapter four covers astrology, a subject that overlaps with astronomy.  Fox points out that while writers like Aquinas believed that the stars and the moon exert a controlling influence on human beings (especially on their senses), the intellect remains in principle free from direct influence.  While Gower spends considerable time on astrology (e.g., he gleans not only from Brunetto Latini, but also from the more obscure Alechandrus on the mansions of the moon), he ultimately vindicates free will by using "arguments that are anti-astrological and non-scientific" (93).&#13;
The remaining chapters cover dreams, alchemy, and magic in quick succession.  Gower seems to have been ignorant of scientific discussions of dreams, and based on biblical narratives like the story of Nebuchadnezzar, he accepts that dreams sometimes foretell future events.  Gower's discussion of alchemy in CA 4 assumes that transmutation of base metals into gold is theoretically possible although he does not hold out much hope of anyone actually doing it.  Finally, Gower's references to magic are not very specific, and he likely had no specialized knowledge.  [CvD].</text>
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              <text>This lengthy notes describes the close resemblance of CA, Book III, 1331-1494 (Tale of Pyramus and Thisbe), to Chaucer's "Legend of Good Women," ll. 706ff. and to the "Ovide Moralisé," IV, 229-1169. [RFY1981]</text>
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              <text>Meech, Sanford.</text>
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              <text>Meech, Sanford. "Chaucer and the 'Ovide Moralisé'." PMLA 46 (1931): 201-04n.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Confessio Amantis</text>
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                <text>Chaucer and the Ovide Moralisé.</text>
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                <text>1931</text>
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              <text>Bone's concern is to discover "printer's copy"--manuscripts marked up for the press--used by pre-Elizabethan printers. He takes up Macaulay's surmise that "Caxton may have used the actual manuscript of the 'Confessio Amantis' given by Marchandine Hunnis to Magdalen College, Oxford, in 1610-11" (285)--that is, Oxford, Magdalen College, MS Lat. 213. This claim he finds "highly debatable," although there is suggestive evidence (e.g., only "the minutest differences in a space of two or three hundred lines together," passages marked with crosses and circles that also begin columns in Caxton's text) at least through line 4525, when "Caxton . . . evidently begins to follow a different type of manuscript." Yet Bone found "no reading that is conclusive" (285). Nonetheless, he leaves open the possibility that Magdalen College 213 was marked up by Caxton and/or his apprentices: " . . . if we accept the evidence of the Magdalen manuscript . . . it looks as though Caxton's compositors of 1483 marked sporadically with crosses or circles" (306). [RFY. Copyright. The John Gower Society. eJGN 41.1]</text>
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              <text>Bone, Gavin. "Extant Manuscripts Printed by Wynkyn de Worde with Notes on the Owner, Roger Thorney." The Library, 4th ser. 12 (1931): 284-306.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Manuscripts and Textual Studies&#13;
Confessio Amantis</text>
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                <text>Extant Manuscripts Printed by Wynkyn de Worde with Notes on the Owner, Roger Thorney.</text>
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              <text>Kaplan bases his analysis of Gower's English vocabulary on Macaulay's word list to the CA. The total number of words is 6006, of which 882 are proper names and 476 are variants of other words. The net number – 4648 words – seems much lower than the tally for Shakespeare, Milton, or even Chaucer. However, Kaplan ridicules the idea that "the greater the genius the greater the vocabulary" (396), and he finds the real interest in the percentage of loan words in Gower's vocabulary. Gower's diction is 54.9% Anglo-Saxon, 4.2% Latin, and 37.9% French, and a small percentage Other. However, when we take into account frequency of occurrence, then Gower's use of Anglo-Saxon words is likely around 90%. Kaplan further lists words from J to Z (Macaulay covered A to I) where Gower is the first citation in the NED (i.e., the OED). However, he concludes by casting some doubt on the value of first citations. [CvD]</text>
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              <text>Language and Word Studies</text>
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              <text>Confessio Amantis</text>
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              <text>Kaplan, Theodore H. "Gower's Vocabulary." Journal of English and Germanic Philology 31 (1932), pp. 395-402.</text>
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                <text>1932</text>
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                <text>Gower's Vocabulary.</text>
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              <text>Brief biography; general assessment of works, literary talent, etc.; cites Gower's "unusual" dislike of warfare. [RFY1981]</text>
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              <text>N. A.</text>
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              <text>Anonymous review. "John Gower." Times Literary Supplement, 18 August 1932. </text>
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        <element elementId="56">
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            <elementText elementTextId="94704">
              <text>Backgrounds and General Criticism&#13;
Biography of Gower</text>
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          <element elementId="50">
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            <elementTextContainer>
              <elementText elementTextId="94699">
                <text>"John Gower."</text>
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            </elementTextContainer>
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                <text>1932</text>
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            <elementText elementTextId="94707">
              <text>Gower has "no sympathy with the feeling for nature," unlike Chaucer and the Scottish Chaucerians. [RFY1981]</text>
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        <element elementId="97">
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              <text>Bryan, J. Ingram.</text>
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          <elementTextContainer>
            <elementText elementTextId="94709">
              <text>Bryan, J. Ingram. The Interpretation of Nature in English Poetry. Tokyo: Kaitakusha, 1932. Reprint. Folcroft Library, 1972, p. 71. </text>
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          <name>Gower Subject</name>
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            <elementText elementTextId="94710">
              <text>Backgrounds and General Criticism</text>
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          <element elementId="50">
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                <text>The Interpretation of Nature in English Poetry.</text>
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                <text>1932</text>
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  <item itemId="9773" public="1" featured="0">
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            <element elementId="50">
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          <name>Review</name>
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          <elementTextContainer>
            <elementText elementTextId="94713">
              <text>Slightly rewritten version of Baldwin's remarks in "An Introduction to English Medieval Literature (1914). [RFY1981]</text>
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              <text>Baldwin, Charles S. Three Medieval Centuries of Literature in England, 1100-1400. Boston: Little, Brown, 1932, pp. 222-21, 224, 267. </text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
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              <text>Backgrounds and General Criticism</text>
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                <text>1932</text>
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            <elementText elementTextId="94719">
              <text>Gower and Chaucer were friends, and shared business and poetic interests. [RFY1981]</text>
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              <text>Chesterton, G. K. </text>
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          <elementTextContainer>
            <elementText elementTextId="94721">
              <text>Chesterton, G. K. Chaucer. London: Faber and Faber, 1932, pp. 33, 108, 109, 110, 111, 137, 275</text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="94722">
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Biography of Gower</text>
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                <text>1932</text>
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            <element elementId="50">
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            <elementText elementTextId="95596">
              <text>Argues that Goethe may have been influenced by the material and the tone of the CA, Book VII. [RFY1981]</text>
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        <element elementId="97">
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              <text>Krappe, A. H.</text>
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        <element elementId="55">
          <name>Published</name>
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              <text>Krappe, A. H. "La Thème de la 'Science Sterile' chez Gower et chez Goethe." Revue de la Littérature Comparée 12 (1932): 821-23. </text>
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                <text>La Thème de la 'Science Sterile' chez Gower et chez Goethe.</text>
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              <text>Considers Gower a skillful, readable poet. [RFY1981]</text>
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              <text>Kaplan [sic]. "John Gower." [London] Times Literary Supplement, no. 1594 (August, 1932): 573-74.</text>
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              <text>Kar's study of the medieval lyric contains a chapter on Gower's CB entitled "Amorous Gower." After reviewing the opinions of Warton and Macaulay, Kar argues that the CB can be split into two sections: the first 5 discuss love leading to marriage, whereas the rest are more in the spirit of courtly love. In addition, Gower frequently invokes two central ideas of troubadour poetry: "fin amor" (pure love) and "joie." However, Kar disagrees with J. Audiau that every echo of troubadour imagery (e.g., the flight of birds, the attraction of the loadstone, the need of a physician) can be attributed to direct imitation of provençal poetry. For instance, Gower would have been more likely to have borrowed the image of the storm-tossed ship from Ovid. Finally, "the rhythm of Gower's Cinkante Balades [with its combination of syllabic and accentual measures] is almost openly anti-Provençal" (62). [CvD]</text>
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              <text>Prints "Two Coffers," CA, Book V, 2272-2390; "Phrixus and Helle," Book V, 4243-4361. Reprint of Macaulay (1899-1902); brief biography. [RFY1981]. </text>
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              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations&#13;
Biography of Gower</text>
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                <text>1933</text>
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              <text>Based on the OED, Bradley-Strattman, Godefroy, and the glossaries of Macaulay's edition (1899-1902) and Skeat's Oxford Chaucer. Concordance thoroughly done. Not published. [RFY1981].</text>
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              <text>Burch, J. C. Horton.</text>
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              <text>Burch, J. C. Horton. A Combined Lexicon and Concordance of the English Works of John Gower, A-C Inclusive. Ph.D. Dissertation, Duke University, 1933. </text>
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Language and Word Studies</text>
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              <text>Gower's "Cinkante Balades" and "Traitié pour Essampler les Amants Marietz" owe much to troubadour precedent, particularly conception of imagery. [RFY1981].</text>
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            <elementText elementTextId="94410">
              <text>Sources, Analogues, and Literary Relations&#13;
Style, Rhetoric, and Versification&#13;
Cinkante Balades&#13;
Traitié pour Essampler les Amants Marietz&#13;
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              <text>Extremely learned article traces the concept of things finding their ideal level in creation from Plato's "Timaeus" to CA. [RFY1981].</text>
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        <element elementId="97">
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Confessio Amantis</text>
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            <elementText elementTextId="95872">
              <text>Uses MO, VC, and CA as source materials for a presentation of fourteenth-century conservative social attitudes; sees the three poems as representing a consistent viewpoint, supportive of the status quo. [RFY1981]</text>
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              <text>Mohl, Ruth. The Three Estates in Medieval and Renaissance Literature. New York: Ungar, 1933, pp. 28ff., 105ff., 230ff., 278-79, 299ff., 329, 356-57. </text>
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Vox Clamantis&#13;
Confessio Amantis</text>
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                <text>1933</text>
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              <text>Uses Gower as an example of complaint in late the fourteenth century against the corruption of the times. [RFY11981]</text>
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              <text>Wingfield-Stratford, Esme.</text>
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              <text>Wingfield-Stratford, Esme. The History of British Civilization. New York: Harcourt, Brace, 1933, pp. 279-80. </text>
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              <text>Lists works; Gower was a Kentishman. [RFY1981]</text>
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              <text>Bardi, Pietro.</text>
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              <text>Bardi, Pietro. Storia della Letterature Inglese. Bari: Laterza and Sons, 1933, p. 23</text>
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                <text>1933</text>
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              <name>Title</name>
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              <text>Casson, Leslie F</text>
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              <text>Casson, Leslie F. "Studies in the Diction of the Confessio Amantis." Englische Studien 69 (1934), pp. 184-207.</text>
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          <name>Gower Subject</name>
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              <text>Casson notes that the literary works of Chaucer and Gower are often viewed as "the consummation of a process of literary development which began when English was revived as a cultivated literary language after the Conquest" (184).  However, especially in the philosophical or scholastic parts of the CA we find a great many Romance words, and in this respect Gower "is certainly a more daring innovator than Chaucer" (184).  To demonstrate Gower's conscious artistry, Casson divides her article into three sections: use of uncompounded words (185-98), use of compound words (198-206), and use of hybrids (206-07).  Casson distinguishes between aureate diction and Romance technical words used "in their original sense in a scientific context" (186).  By showing the distribution of native and loan words in 10 passages from the CA, Casson shows that the greatest frequency of French and Latin loans occurs in technical and scientific passages (187-88).  Casson further compares Gower's diction to the contemporary revival of the alliterative line, to the vocabulary of Old English poetry, and to English borrowings from Norse.  The conclusion Casson draws from all of this is that Gower was "an innovator in language, seizing on the opportunities afforded him by changing methods of expression in the speech of his time, yet preserving, here and there, a quaint flavor of antiquity which harks back to some yet older day" (197-98).  [CvD]</text>
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              <elementText elementTextId="85355">
                <text>Studies in the Diction of the Confessio Amantis</text>
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              <elementText elementTextId="85356">
                <text>1934</text>
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              <text>Maynard, Theodore.</text>
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              <text>Maynard, Theodore. The Connections Between the Ballade, Chaucer's Modifications of It, Rime Royal, and the Spenserian Stanza. Washington, D.C.: Catholic University of America, 1934, pp. 89, 129. </text>
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        <element elementId="56">
          <name>Gower Subject</name>
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            <elementText elementTextId="92946">
              <text>Cinkante Balades&#13;
Style, Rhetoric, and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="52">
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              <text>Unlike Chaucer, Gower in his CB writes true ballades (defined as a poem of 28 lines, divided into three stanzas of eight lines and a half stanza--envoi--rhymed ABABBCBC, using the same rhyme in every stanza, with refrain), while Chaucer's are frequently modified forms; like Chaucer, however, Gower used a greater freedom with caesura than did French poets. [RFY1981].</text>
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          <element elementId="50">
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              <elementText elementTextId="92941">
                <text>The Connections Between the Ballade, Chaucer's Modifications of It, Rime Royal, and the Spenserian Stanza. </text>
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            </elementTextContainer>
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            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="92942">
                <text>1934</text>
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              <text>Gower uses rhymed, metrical verse of the French model. [RFY1981].</text>
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              <text>Robertson, Stuart.</text>
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              <text>Robertson, Stuart. The Development of Modern English. New York: Prentice-Hall, 1934, p. 60.</text>
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        <element elementId="56">
          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="92970">
              <text>Style, Rhetoric, and Versification&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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              <elementText elementTextId="92966">
                <text>1934</text>
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              <text>Finds Gower to have been seminal in the formation of Early Modern English, observing the "large number of words" in CA still in modern use and, barring technical terms, the limited number of "difficult words" in the work. Bases these comments on evidence from, and corrections to, instances of first usage or first meanings in the OED. [RFY1981; rev. MA].</text>
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              <text>Burch, J. C. Horton. "Notes on the Language of Gower." English Studies 16 (1934): 209-15.</text>
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          <elementTextContainer>
            <elementText elementTextId="94077">
              <text>Language and Word Studies&#13;
Confessio Amantis</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>Argues that Gower preserves the older tradition of Peter Riga and Alexander Neckham, and "shows acquaintance with" Nigel Wirecker and Godfrey of Viterbo. [RFY1981].</text>
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        <element elementId="97">
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          <elementTextContainer>
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              <text>Raby, F. J. E.</text>
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              <text>Raby, F. J. E. A History of Secular Latin Poetry in the Middle Ages. 2 vols. Oxford: Clarendon Press, 1934, II, 343</text>
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          <name>Gower Subject</name>
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              <text>Supports the conclusions of G. C. Macaulay (1899-1902) and Traugott Naunin (1929) that Gower was acquainted with the theories of medieval rhetoric, and presents additional evidence to confirm Macaulay's opinion that Gower was familiar with the "Poetria Nova" of Geoffrey Vinsauf. Gower made extensive use of rhetorical colors.</text>
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              <text>Daniels, Robertson B. Figures of Rhetoric in John Gower's English Works. Ph.D. Dissertation. Yale University, 1934. </text>
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                <text>1934</text>
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              <text>Gives brief comparisons of Chaucer and Gower as men and as poets. [RFY1981]</text>
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              <text>Sedgwick, Henry D. Dan Chaucer: An Introduction to the Poet, His Poetry and His Times. New York: Bobbs-Merrill, 1934, pp. 48, 248.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Includes study of the use and treatment of proverbial material in Gower's major English and French works, with a systematic categorization of types; tables of examples; comparisons of similar materials from Chaucer. [RFY1981; rev. MA]</text>
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              <text>Whiting, B. J. Chaucer's Use of Proverbs. Harvard Studies in Comparative Literature, vol. 11. Cambridge, Mass.: Harvard University Press, 1934, pp. 4-20, 134-55, Appendix C, 265-97. </text>
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              <text>Style, Rhetoric, and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Bibliographies, Reports, and Reference</text>
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                <text>1934</text>
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              <text>Daniels argues that Gower, like Chaucer, was likely indebted to the medieval rhetoricians. Gower's familiarity with the Poetria Nova of Geoffrey de Vinsauf is clear from two passages in the VC. Gower's syllabic play with the name Clemens (a "headless name" without the prefix "in") is likely modeled on Geoffrey's play on the name of Pope Innocent III. Similarly, a passage thirty lines earlier in the VC (3.925-26) about a shepherd's responsibility towards his sheep appears influenced by a similar word play in the Poetria Nova. Admittedly, in Book 8 of the CA Gower claims to have little knowledge of rhetoric, but Daniels shows that an earlier version of the same passage (3054-66*) includes two different rhetorical devices. Given Gower's knowledge of Geoffrey de Vinsauf, as well as the rhetorical portions of Brunetto Latini's Tresor, Gower's admission is likely ironic, and is in fact a rhetorical technique itself (disparagement or "diminutio"). The rest of the article aims to prove Gower's knowledge of rhetoric by a detailed listing of the rhetorical figures (see page 66 for the entire list) that occur in his poem "In Praise of Peace." However, Daniels concludes that while the poem includes "a considerable use of rhetorical ornament" (73), the "infrequent use of the tropes" (73) is noteworthy. The reason is that Gower eschews a "gravis stilus" (73) in favour of "simple and moving verses" in harmony with the theme of the poem, namely the humility of Christ. Daniels therefore concludes, "The rhetorical element in Gower is a measure of his artistry, and he employed rhetoric with taste and discrimination" (73). [CvD]</text>
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              <text>Daniels, Robertson Balfour. "Rhetoric in Gower's 'To King Henry the Fourth, in Praise of Peace'." Studies in Philology 32 (1935), pp. 62-73.</text>
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              <text>Vox Clamantis</text>
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              <text>Confessio Amantis</text>
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                <text>1935</text>
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              <text>Summarizes "Rosiphelee" [CA, Book IV, 1245-1448) and places the story in the tradition of the "Cruel Beauties." [RFY1981].</text>
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              <text>Grimes, E. Margaret. "Le Lay du Trot." Romanic Review 26 (1935): 315-16. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Confessio Amantis</text>
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                <text>1935</text>
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              <text>Gower was aa friend of Chaucer, a moralist, and a poor poet. [RFY1981]</text>
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Thorndike, Ashley B.</text>
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              <text>Neilson, W. A., and Ashley B. Thorndike. A History of English Literature. New York: Macmillan, 1935, pp. 42, 43, 53, 55, 57, 70. </text>
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              <text>Osgood, Charles G. The Voice of England: A History of English Literature. New York: Harper, 1935, pp. 79, 103, 118-20, 124, 136. </text>
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              <text>Lewis traces the development of the courtly love tradition from France in the eleventh century to England in the sixteenth. The place of Gower in this history is assessed in chapter 5, where he is grouped with Thomas Usk. Lewis praises Gower for the strong "architectonics" (198) of the CA. The key to Gower's success is that he learned from Andreas Capellanus how courtly love had a moral code, and so could be combined fruitfully with a religious confession. Lewis also praises Gower for his plain style, even though it frequently descends to the prosaic. He notes Gower's tendency not to tell us what people think. Gower further focuses less on shapes and colours and more on movement and action. Yet Gower has a romantic element, which Lewis finds unusual for a medieval poet. Gower "excels in strange adventure, in the remote and the mysterious" (210). Lewis briefly discusses Gower's moral didacticism--which includes a surprising "element of iron in a poet elsewhere so gentle" (212)--before turning to the story of Amans in the frame narrative. Lewis notes the complex mingling of humour, pathos, devotion, and realism in the exchanges between Amans and Genius. What makes the story of Amans stand out is its ending. The death of love becomes a touching allegory for life in general. The final line to this section is both simple and perfect (221): "homward a softe pas I went." Still, the fact that Gower fails to end his poem here is emblematic of Gower's ability as an artist: "Gower has risen to great poetry, but he is not a great poet" (222). [CvD]</text>
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          <name>Gower Subject</name>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Style, Rhetoric, and Versification</text>
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              <text>Confessio Amantis</text>
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                <text>The Allegory of Love: A Study in Medieval Tradition</text>
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              <elementText elementTextId="85569">
                <text>Clarendon,</text>
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                <text>1936</text>
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            <elementText elementTextId="94080">
              <text>A brief, clear presentation of Gower's English. Wyld notes Gower's Kenticisms, compares his London English to that of Chaucer, and his general English to that of Wyclif, Langland, Chaucer, and Dan Michel. [RFY1981].</text>
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              <text>Wild, Henry Cecil. A History of Modern Colloquial English. Oxford: Blackwell, 1920. 3rd ed., rev., 1936, pp. 30, 41, 56-58.</text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="94082">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
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              <elementText elementTextId="94078">
                <text>A History of Modern Colloquial English.</text>
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                <text>1936</text>
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            <elementText elementTextId="94431">
              <text>Links Gower to the tradition of religious forms gone secular, following the pattern of the "Roman de la Rose." [RFY1981].</text>
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        <element elementId="97">
          <name>Author/Editor</name>
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              <text>Glunz, H. H.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="94433">
              <text>Glunz, H. H. Die Literarasthetik des Europaischen Mittelalters. Bochum-Langendreer: H. Pöppinghaus, 1937. pp. 349-52. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94434">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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            <elementTextContainer>
              <elementText elementTextId="94429">
                <text>Die Literarasthetik des Europaischen Mittelalters.</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="94430">
                <text>1937</text>
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  <item itemId="9727" public="1" featured="0">
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            <elementText elementTextId="94437">
              <text>Brief biography of Gower; CA was a source for "Pericles." [RFY1981].</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
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            <elementText elementTextId="94438">
              <text>Praz, Mario.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94439">
              <text>Praz, Mario. Storia Della Letterature Inglese. Florence: Sansoni, 1937, pp. 16, 31, 107. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94440">
              <text>Influence and Later Allusion&#13;
Biography of Gower</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="94435">
                <text>Storia Della Letterature Inglese. </text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94436">
                <text>1937</text>
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            </elementTextContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95602">
              <text>On Gower-Chaucer relations; broaches the well-used argument that the Man of Law pokes sharp fun at Gower, and his words represent a form of literary criticism. Also examines connections between tales shared by the CA and "The Legend of Good Women." [RFY1981]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95603">
              <text>Brown, Carleton.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95604">
              <text>Brown, Carleton. "The Man of Law's Headlink and the Prologue of the Canterbury Tales." Studies in Philology 34 (1937): 8-35. [RFY1981]. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95605">
              <text>Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95600">
                <text>The Man of Law's Headlink and the Prologue of the Canterbury Tales.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95601">
                <text>1937</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="9969" public="1" featured="0">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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              </elementTextContainer>
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      <name>GowerType</name>
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      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95884">
              <text>Argues that all of Gower's major works fall within the tradition of the poem of instruction addressed to a ruler (also known as a mirror for princes genre) [RFY1981; rev. MA]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95885">
              <text> Kleineke, Wilhelm</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95886">
              <text> Kleineke, Wilhelm. Englische Fürstenspiegel vom Policraticus Johanns bis zum Basilikon Doron König Jakobs I. Studien zur englischen Philologie, no. 90. Halle: Niemeyer, 1937, pp. 129-35</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95887">
              <text>Backgrounds and General Criticism</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95882">
                <text>Englische Fürstenspiegel vom Policraticus Johanns bis zum Basilikon Doron König Jakobs I.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95883">
                <text>1937</text>
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  </item>
  <item itemId="9970" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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      <name>GowerType</name>
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      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95890">
              <text>Gower's attitude in the VC, with its vicious allegorical on the leaders of the Peasants' Revolt, is contrasted with Chaucer's presentation of common people. [RFY1981]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95891">
              <text>Marcus, Hans.</text>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95892">
              <text>Marcus, Hans. "Chaucer, der Freund des einfachen Mannes." Archiv für das St]udium der neueren Sprachen und Literaturen 172 (1937): 28-41. </text>
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          </elementTextContainer>
        </element>
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          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95893">
              <text>Vox Clamantis</text>
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      <elementSet elementSetId="1">
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          <element elementId="50">
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              <elementText elementTextId="95888">
                <text>Chaucer, der Freund des einfachen Mannes.</text>
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          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="95889">
                <text>1937</text>
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  <item itemId="10071" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
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    <itemType itemTypeId="18">
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      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96495">
              <text>Brief, readable outline of Gower's life and writings. [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96496">
              <text>Schirmer, Walter F.</text>
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        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96497">
              <text>Schirmer, Walter F. Geschichte der englischen Literatur von den Anfang bis zur Gegenwart. Halle/Salle: Niemeyer, 1937, pp. 144-47, 148, 152, 165, 176, 605. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96498">
              <text>Backgrounds and General Criticism</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96493">
                <text>Geschichte der englischen Literatur von den Anfang bis zur Gegenwart.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="96494">
                <text>1937</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="9668" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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              </elementTextContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94085">
              <text>Says Gower is not includable as an Anglo-Norman poet: "Gower is conscious of writing French as a foreigner," and so must be called an English poet. [RFY1981].</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94086">
              <text>West, C. B.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94087">
              <text>West, C. B. Courtoisie in Anglo-Norman Literature. Oxford: Blackwell, 1938, p. 123.</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94088">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94083">
                <text>Courtoisie in Anglo-Norman Literature.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94084">
                <text>1938</text>
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  <item itemId="10072" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
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          <elementTextContainer>
            <elementText elementTextId="96501">
              <text>Thumbnail outline of life and works, without assessment or commentary. [RFY1981]</text>
            </elementText>
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        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96502">
              <text>Otis, William B.&#13;
Needleman, M. H.</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96503">
              <text>Otis, William B., and M. H. Needleman. A Survey-History of English Literature. New York: Barnes and Noble, 1938, pp. 53-54. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96504">
              <text>Backgrounds and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96499">
                <text>A Survey-History of English Literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96500">
                <text>1938</text>
              </elementText>
            </elementTextContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93916">
              <text>Believes that Chaucer's allusions to Gower in the "Man of Law's Tale" are humorous; posits the CA was transported to Spain because Chaucer's sister-in-law Katherine Swynford married Enrique of Castile; discusses patronage; maintains that the dedication of "Troilus and Criseyde" to "moral Gower" was sincere; argues that Chaucer had more influence at court than did Gower. [RFY1981].</text>
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        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="93917">
              <text>Patch, Howard Rollin.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93918">
              <text>Patch, Howard Rollin. On Rereading Chaucer. Cambridge, Mass.: Harvard University Press, 1939, pp. 17, 35-36, 47, 102, 120, 130, 179, 186-87, 191-92, 194, 199. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93919">
              <text>Sources, Analogues, and Literary Relations&#13;
Confessio Amantis</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93914">
                <text>On Rereading Chaucer. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93915">
                <text>1939</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
  </item>
  <item itemId="9669" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94091">
              <text>Argues contra Dr. Johnson (1755) that chronology of imported words matters in relating the diction of Gower and Chaucer; contra Fernald (1921) that Gower has a smaller Romance vocabulary than does Chaucer; contra Marsh (1885) that Gower and Chaucer borrow many kinds of French words. Tabulates Romance words that Gower and Chaucer have in common, arguing basically that Chaucer has a larger and much more varied Romance vocabulary than does Gower and that their languages are quite unlike as a result. [RFY1981].</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94092">
              <text>Mersand, Joseph.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94093">
              <text>Mersand, Joseph. Chaucer's Romance Vocabulary, New York: Comet, 1939, pp. 8, 10, 17-18, 21, 26, 30, 44-45, 120, 136. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94094">
              <text>Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94089">
                <text>Chaucer's Romance Vocabulary.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94090">
                <text>1939</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="9777" public="1" featured="0">
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94738">
              <text>Shanley, James L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94740">
              <text>Backgrounds and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="99003">
              <text>Gower would have understood Troilus's woe as sorrow for having trusted in the temporal. [RFY1981]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="99398">
              <text>Shanley, James L. "The 'Troilus' and Christian Love." English Literary History 6 (1939): 271-81. Reprinted in Edward Wagenknecht, ed. Chaucer: Modern Essays in Criticism (New York: Oxford University Press, 1959), pp. 385-95. </text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94735">
                <text>The "Troilus" and Christian Love.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94736">
                <text>1939</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="9971" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95896">
              <text>Gower, along with Usk, Langland, and Scogan, wrote poetry to protest the decay of morals in the later fourteenth century; Gower praises the virtue of charity. [RFY1981]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95897">
              <text>Horrell, Joe.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95898">
              <text>Horrell, Joe. "Chaucer's Symbolic Plowman." Speculum 14 (1939): 82-92. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95899">
              <text>Backgrounds and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95894">
                <text>Chaucer's Symbolic Plowman.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95895">
                <text>1939</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="9993" public="1" featured="0">
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96027">
              <text>"The Church of Love is the poetic 'religion' of which the deities are the pagan Venus and Cupid and the religious forms of those of the Christian Church. The study seeks to determine how the Church of Love and the love-deities were employed in Latin and French before Chaucer and Gower and to what extent they followed their predecessors." Study mostly on Chaucer,  but includes discussion of Gower's CA. [RFY1981; rev. MA]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96028">
              <text>Jacobson, John Howard.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96029">
              <text>Jacobson, John Howard. "The Church of Love in the Works of Chaucer and Gower." Ph.D. Dissertation, Yale University, 1939. Dissertation Abstracts International A31.05. Available via ProQuest Dissertations &amp; Theses; accessed December 5, 2022. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96030">
              <text>Confessio Amantis&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96025">
                <text>The Church of Love in the Works of Chaucer and Gower.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96026">
                <text>1939</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
  </item>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94443">
              <text>Gower uses Ovid extensively, particularly drawing upon the "Metamorphoses" for stories and for descriptive language. [RFY1981].</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94444">
              <text>Davidson, Herbert.</text>
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              <text>Davidson, Herbert. John Gower's Use in the Confessio Amantis of the Narrative Material of Ovid. Ph.D. Dissertation. University of Cincinnati, 1940.  </text>
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Confessio Amantis</text>
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              <text>Edwards, A. C.</text>
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              <text>Backgrounds and General Criticism&#13;
Confessio Amantis&#13;
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              <text>Discusses Gower's and Chaucer's choice of Knaresborough as locus for the Donegild incident in the Tale of Constance, possibly because of its black reputation following the murder of Thomas Becket. [RFY1981]</text>
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              <text>Edwards, A. C. "Knaresborough Castle and 'The Kynges Moodres Court'." Philological Quarterly 19 (1940): 306-09. Reprinted in Edward Wagenknecht, ed. Chaucer: Modern Essays in Criticism (New York: Oxford University Press, 1959), pp. 83-87. </text>
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                <text>1940</text>
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              <elementText elementTextId="99007">
                <text>Knaresborough Castle and "The Kynges Moodres Court.'"</text>
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              <text>Gower was deeply impressed by war, and with perverted justice, his continued treatment of these themes in his work is evidence of this. [RFY1981]</text>
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              <text>Lawrence, William W.</text>
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            <elementText elementTextId="94752">
              <text>Backgrounds and General Criticism</text>
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            <elementText elementTextId="99400">
              <text>Lawrence, William W. "The Tale of Melibeus." Essays and Studies in Honor of Carleton Brown. New York: New York University Press, 1940, pp. 100-10. Reprinted in Helaine Newstead, ed. Chaucer and His Contemporaries: Essays on Medieval Literature and Thought. Greenwich, Conn.: Fawcett, 1968, pp. 207-17,</text>
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              <elementText elementTextId="94747">
                <text>The Tale of Melibeus.</text>
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                <text>1940</text>
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          <elementTextContainer>
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              <text>Shelley, Percy V. C.</text>
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              <text>Shelley, Percy V. C. The Living Chaucer. Philadelphia: University of Pennsylvania Press, 1940, pp. 11, 25, 92, 169, 170, 175, 184, 185, 268, 302. </text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="94758">
              <text>Sources, Analogues, and Literary Relations&#13;
Confessio Amantis</text>
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          <name>Review</name>
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              <text>Gower was a moralist and a reformer, unlike Chaucer, who kept his poetry "above" moral indignation; compares Gower's "Tale of Lucrece" to Chaucer's versions the "Legend of Good Women"; argues that LGW was written prior to CA; compares the use of Ovid by Gower and Chaucer; says Gower's poetry "plods." [RFY1981]</text>
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              <elementText elementTextId="94753">
                <text>The Living Chaucer.</text>
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                <text>1940</text>
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  <item itemId="9923" public="1" featured="0">
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                <elementText elementTextId="25233">
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      <elementContainer>
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          <elementTextContainer>
            <elementText elementTextId="95608">
              <text>A comparison of Gower and Chaucer shows how great was Chaucer's art, how inferior Gower's.</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95609">
              <text>Evans, B. Ifor.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95610">
              <text>Evans, B. Ifor. A Short History of English Literature. Harmondsworth: Penguin, 1940, pp. 19-20. </text>
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          </elementTextContainer>
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          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95611">
              <text>Sources, Analogues, and Literary Relations</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
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              <elementText elementTextId="95606">
                <text>A Short History of English Literature.</text>
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          <element elementId="40">
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1940</text>
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  <item itemId="9924" public="1" featured="0">
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      <elementContainer>
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          <name>Review</name>
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            <elementText elementTextId="95614">
              <text>Includes comments on MS. Bodleian 902 (of the CA), which Spenser might have autographed. [RFY1981; rev. MA]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="95615">
              <text>Tuve, Rosamund.</text>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95616">
              <text>Tuve, Rosemund. "Spenser and Some Pictorial Conventions, With Particular Attention to Some Illuminated Manuscripts." Studies in Philology 37 (1940): 149-76, esp. 152.</text>
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          </elementTextContainer>
        </element>
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          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95617">
              <text>Influence and Later Allusion&#13;
Manuscripts and Textual Studies</text>
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      </elementContainer>
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              <elementText elementTextId="95612">
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            </elementTextContainer>
          </element>
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              <elementText elementTextId="95613">
                <text>1940</text>
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  <item itemId="9521" public="1" featured="0">
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          <description/>
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            <elementText elementTextId="93219">
              <text>Prints "Florent," CA Book I, 1396-1861; "Constance," Book II, 587-1612; reprinting Macaulay. [RFY1981].</text>
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        <element elementId="97">
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          <description>Author/Editor</description>
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              <text>Bryan, W. F., and Germaine Dempster, eds.</text>
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              <text>Bryan, W. F., and Germaine Dempster, eds. Sources and Analogues of Chaucer's Canterbury Tales. New York: Humanities Press, 1941, pp. 181-206. </text>
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        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93222">
              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Sources and Analogues of Chaucer's Canterbury Tales.</text>
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            <elementTextContainer>
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                <text>1941</text>
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  <item itemId="9925" public="1" featured="0">
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            <element elementId="50">
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                <elementText elementTextId="25233">
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      <elementContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="95620">
              <text>Notes similarities between Shakespeare's Sonnet #64 and VC (1)312 and 7.479; Gower's probable source is Ovid, "Metamorphoses, 15, 262. [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
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            <elementText elementTextId="95621">
              <text>Hussey, Richard.</text>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95622">
              <text>Hussey, Richard. "Shakespeare and Gower." Notes and Queries 180 (1941): 386. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95623">
              <text>Influence and Later Allusion&#13;
Vox Clamantis</text>
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      <elementSet elementSetId="1">
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              <elementText elementTextId="95618">
                <text>Shakespeare and Gower.</text>
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                <text>1941</text>
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              <text>Macaulay's edition of the CA notes a number of similarities between Gower's work and Boccaccio's De Genealogica Deorum and Dilts suggests some additional borrowings. These include the metamorphosis of Phillis into a "Notetre" (CA 4.867) and the reference to the island of "Chyo" (5.5413; "Chium" in Boccaccio) in the Tale of Theseus and Ariadne. While some of the similarities can be found in other sources, only the Genealogia contains all the parallels. It is likely, then, that Gower consulted the work during the composition of the CA. [CvD]</text>
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              <text>Dilts, Dorothy A</text>
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            <elementText elementTextId="84725">
              <text>Dilts, Dorothy A. "John Gower and the De Genealogia Deorum." Modern Language Notes 57 (1942), pp. 23-25.</text>
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        <element elementId="56">
          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="84726">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="84727">
              <text>Confessio Amantis</text>
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            <name>Title</name>
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              <elementText elementTextId="84719">
                <text>John Gower and the De Genealogia Deorum</text>
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            <name>Date</name>
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              <elementText elementTextId="84720">
                <text>1942</text>
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  <item itemId="9973" public="1" featured="0">
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                  <text>Gower Collection</text>
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    <itemType itemTypeId="18">
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            <elementText elementTextId="95908">
              <text>Gower as a critic of church corruption. [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95909">
              <text>Trevelyan, G. M.</text>
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        <element elementId="55">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="95910">
              <text>Trevelyan, G. M. English Social History: A Survey of Sic Centuries, from Chaucer to Queen Victoria. London: Longmans, Green, 1942, pp. 2, 40, 49. </text>
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        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95911">
              <text>Backgrounds and General Criticism</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="95906">
                <text>English Social History: A Survey of Six Centuries, from Chaucer to Queen Victoria.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="95907">
                <text>1942</text>
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                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="84754">
              <text>Heather surveys astrological references in a range of Middle English works, focusing particularly on beliefs about the planets. Gower's treatment of astrology is frequently sampled (especially 339-47), and Heather quotes lengthy passages from the CA, particularly Book 7. It is noted that Gower matches up the days of the week with the planets, and in turn connects the latter to the twelve signs of the zodiac (342) and to the fifteen stars (344-46). Also mentioned are isolated references to astrology in stories such as "Medea and Jason" and "Nectanabus." Heather's evaluation of Gower's contribution to astrology is summed up in relation to Chaucer's work on the same subject: "Gower was concerned in presenting to his countrymen what had previously been written on the subject, and may well have had a greater part in moulding their belief in such matters. Chaucer on the other hand wrote rather as one who was weighing the value of the beliefs as they existed in his day and makes no secret of his scepticism" (351). Other brief references to Gower's work in the remainder of the essay include: a discussion of how Book 4 of the CA relates the subject of alchemy to the planets; a comparison between Chaucer's "Canon Yeoman's Tale" and Gower's description in Book 5 of Greek and Chaldean religions and their basis in astrology; a discussion of Gower's beliefs about light and darkness; the quotation of some references to the moon in the CA that describe its phases and its influence upon the tides; and an overview of beliefs about eclipses and their causes. [CvD]</text>
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        <element elementId="97">
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          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="84755">
              <text>Heather, P. J</text>
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        </element>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="84756">
              <text>Heather, P. J. "The Seven Planets." Folklore 54 (1943), pp. 338-361.</text>
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        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="84757">
              <text>Backgrounds and General Criticism</text>
            </elementText>
            <elementText elementTextId="84758">
              <text>Confessio Amantis</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="50">
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              <elementText elementTextId="84750">
                <text>The Seven Planets</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="84751">
                <text>1943</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
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            <elementTextContainer>
              <elementText elementTextId="84752">
                <text>Article</text>
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                <text>PeerReviewed</text>
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  </item>
  <item itemId="8553" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="84793">
              <text>Henkin investigates the folkloric background to the story of "Aspidis the Serpent" told in Book 1 of the CA. The story tells of a snake whose forehead is studded with a carbuncle, and who protects itself against snake charmers by shutting its ears. Macaulay had noted that the story is based on Psalm 58 (and its interpretation by Augustine and Isidore of Seville), but Henkin asks where the detail of the carbuncle originates. He suggests a source in the folk and lapidary lore about the jewel "dracontides," a stone thought to be found in the brain of dragons. After a detailed survey of this myth, ranging from Socatus and Pliny to a variety of medieval lapidaries, Henkin notes that in two of the medieval texts on the subject, the Alphabetical Lapidary and its likely transcription in English, the Peterborough Lapidary, the dracontides is specifically identified as a carbuncle. It is thus apparent that the passage in Gower is "either a confusion or a conscious combining of two legends, one dealing with a snake in whose head is embedded a carbuncle, the other with a snake with a trick to nullify a charmer's incantations" (38). The possibility of an intentional conflation is strengthened by the dramatic function of the carbuncle in providing motivation for the conjurers' attempt to enchant the serpent. [CvD]</text>
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        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="84794">
              <text>Henkin, Leo J</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="84795">
              <text>Henkin, Leo J. "The Carbuncle in the Adder's Head." Modern Language Notes 58.1 (1943), pp. 34-39.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="84796">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="84797">
              <text>Confessio Amantis</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="84789">
                <text>The Carbuncle in the Adder's Head</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="84790">
                <text>1943</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
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              <elementText elementTextId="84791">
                <text>Article</text>
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              <elementText elementTextId="84792">
                <text>PeerReviewed</text>
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    </elementSetContainer>
  </item>
  <item itemId="9926" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
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    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
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      <elementContainer>
        <element elementId="52">
          <name>Review</name>
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          <elementTextContainer>
            <elementText elementTextId="95626">
              <text>Gower presented as background reading for Skelton, who knew at least the CA, and who at points is matched by Gower's moralizing voice and approach. [RFY1981]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95627">
              <text>Gordon, Ian A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95628">
              <text>Gordon, Ian A. John Skelton: Poet Laureate. Melbourne: University Press, 1943, pp. 5, 58, 62, 66, 106. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95629">
              <text>Influence and Later Allusion</text>
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          </elementTextContainer>
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      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95624">
                <text>John Skelton: Poet Laureate. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95625">
                <text>1943</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
  </item>
  <item itemId="10073" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96507">
              <text>Gower's couplets become monotonous, but he tells an honest, "unvarnished" tale, and can still "be read with pleasure." [RFY1981]</text>
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        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96508">
              <text>Entwistle, William J.&#13;
Gillett, Eric</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96509">
              <text>Entwistle, William J., and Eric Gillett. The Literature of England, A.D. 500-1942. London: Longmans, Green, 1943, p. 21</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96510">
              <text>Backgrounds and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96505">
                <text>The Literature of England, A.D. 500-1942.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96506">
                <text>1943</text>
              </elementText>
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  </item>
  <item itemId="9782" public="1" featured="0">
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      <elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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              </elementTextContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
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      <elementContainer>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94768">
              <text>Utley, Francis Lee.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94769">
              <text>Utley, Francis Lee. The Crooked Rib: An Analytical Index to the Argument About Women in English and Scots Literature to the End of the Year 1568. Columbus: Ohio State University Press, 1944, pp. 41, 51, 279, 313. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94770">
              <text>Backgrounds and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="99009">
              <text>Details Gower's attitude toward women and the misogynist tradition, with the conclusion that Gower was fairly typical for the age. [RFY1981]</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94765">
                <text>The Crooked Rib: An Analytical Index to the Argument About Women in English and Scots Literature to the End of the Year 1568.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94766">
                <text>1944</text>
              </elementText>
            </elementTextContainer>
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  </item>
  <item itemId="9910" public="1" featured="0">
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                  <text>Gower Collection</text>
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              <text>Leonhard's dissertation is an alphabetical "Onomasticon" (name-dictionary) of "Confessio Amantis." It lists and identifies the "deities, persons, and places associated with [the Greco-Roman] mythological tradition" (iii), up to and including Ovid, that appear in Gower's poem, arranged by standardized classical spellings rather than Gower's own (but see the Index mentioned below), running from "Acamus" to "Zodiac." Leonhard's entries (some, a few lines; others, several pages) identify appropriate characteristics, plots, motifs, and contexts associated with a given name, and they provide the frequency of occurrences in CA with line numbers from Macaulay's edition, along with authenticating references to classical sources, the commentary tradition, and compilations through Boccaccio's "De Genealogia Deorum." The citations are not comprehensive, but representative of the tradition Gower must have known, as Leonhard sees it, and "if possible," she tells us with due hesitation, she indicates "the poet's probable source and his adaptation of that source" (iii). Some of the information is straightforward identification; some, more expansive. For example, the entry on "Alcestis" states that Gower is interested in her "only as the exemplary wife . . . ," but, in a footnote to the entry, we learn more specifically that the poet "omits the recall of Alcestis from Hades" and that "Ovid does not tell the story of Alcestis at all" (14). More discursively, at "Nysa" (73), where the Gowerian equivalent is "Dyon," Leonhard records that "Mount Nysa in India" is the "birthplace of Bacchus," citing corroborating references to the First Vatican Mythographer, Fulgentius, and Boccaccio, but then opining that "Gower must have had some reason for choosing the name 'Dyon'," she adds the cross-reference "See Semele" and goes on to suggest that Gower "could have had in mind the Greek name Dionysus" (90-91). Footnotes and cross-references abound, and the whole project must have been a Herculean chore to type and correct on a manual typewriter. Following the dictionary itself (pp. 4-101), Leonhard includes "An Appendix Composed of Contextual Excerpts from the Sources Referred to in the Onomasticon" (pp. 102-242)--extensive quotations of the passages in Latin, French, and English of the sources that Leonhard cites in the dictionary proper. A skeletal "Outline of Gower's Moral Tale" (pp. 243-55) follows--i.e., a topic outline or table of contents of CA arranged by Book, vice and/or virtue, and the tales used to illustrate them. The dissertation ends with an alphabetical Index of the included names in Gower's own spelling and usage--i.e., "Alceste" rather than "Alcestis" and "Dyon" rather than "Nysa"--that refers us back to the classical name-list, followed by a Bibliography of the sources Leonhard used. The whole project is painstaking, and although some of its information and perspectives have been superseded by more recent and wider research, it is a useful reference work and, nearly 80 years on, notable as marker in the reception history of Gower. Fortunately, the .pdf reproduction of the original typescript is widely and readily accessible. [MA. Copyright. The John Gower Society. eJGN 41.1]</text>
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              <text>Leonhard, Zelma Bernice.</text>
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              <text>Leonhard, Zelma Bernice. "Classical Mythology in the Confessio Amantis of John Gower." Ph.D. dissertation. Northwestern University, 1944. vi, 274 pp. Dissertation Abstracts International A77.12 (E) [2017]: n.p. Available at ProQuest Dissertations &amp; Theses; accessed January 12, 2022.</text>
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              <text>Confessio Amantis&#13;
Bibliographies, reports, and Reference&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Classical Mythology in the "Confessio Amantis" of John Gower.</text>
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            <elementText elementTextId="96513">
              <text>Gower in the tradition of Chaucer, Wycliff, and the "Roman de la Rose." [RFY1981]</text>
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              <text>Lalou, Rene.</text>
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              <text>Lalou, Rene. La Littérature Anglaise. Paris: Presses Universitaires de France, 1944, pp. 7-8. </text>
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          <name>Gower Subject</name>
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            <elementText elementTextId="96516">
              <text>Backgrounds and General Criticism</text>
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              <text>Gower was Chaucer's friend, fellow poet; thumbnail outlines of major poems. [RFY1981]</text>
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              <text>Policardi, Silvio.</text>
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              <text>Policardi, Silvio. Outlines of English Literature. 2d ed. rev. Padua: Cedam, 1944, pp. 50, 59, 157. </text>
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              <text>Backgrounds and General Criticism</text>
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              <text>Faced with the fact that no major literary figure has suffered more at the hands of his critics than Gower, Coffman suggests that "the social instead of the literary aspects of Gower's writings may form the basis for an interpretation of him in his most significant role" (52). Gower is "an advocate of moral order" (53), and while his "social gospel" (53) presupposes no social equality (he has no faith in the common people), he does preach about honesty and integrity for all members of society. When men are ruled by reason, the result will be an ordered universe of peace and harmony. This vision is at the heart of all three of Gower's major works, and it underlies the notion of man as microcosm, as well as the "doctrine of individual responsibility" (54). When man uses his reason to understand God's plan for the universe then he will live a virtuous life in order to avert God's punishment for sin. Coffman argues that "Gower's complete works are as much a justification of the ways of God to man as are Milton's. His most significant role is his explanation and illustration of the ethical basis of God's universe for this little world of man" (60). By recognizing God's plans and living accordingly, man can "recreate a paradise on earth" (54). This emphasis on personal responsibility also informs Gower's opinions about Richard II and Henry IV. Of note in this regard is a passage in the CrT (3.486-87) which "echoes Wycliffe's doctrine that no man in mortal sin can hold dominion or lordship" (56). Similarly, in the CA Gower argues that the king who does not govern himself and lacks good judgment violates the law of reason and is not worthy to rule. The passage in question (CA 7.3071-83) uses phrasing "which might well have come from English puritans when they indicted Charles I over two centuries later" (57). Coffman further suggests that "In Praise of Peace" is based on the central theme of Marsiglio of Padua's Defensor Pacis, namely that the end of government is peace. The final part of the essay engages with C. S. Lewis' thoughts on courtly love, and suggests that Lewis failed to recognized that the CA was "at least in part a King's Courtesy Book" (60). As "a practical conservative-liberal" (61), Gower instructs the king and his readership in general in living a responsible life directed to "the welfare of England, his own dear land" (61). [CvD]</text>
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              <text>Coffman, George R. "John Gower in his Most Significant Role." In Elizabethan Studies and Other Essays in Honor of George F. Reynolds. Ed. West, E. J. University of Colorado Studies, Series B, 2 (4). Boulder, CO: [University of Colorado], 1945, pp. 52-61.</text>
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              <text>In Praise of Peace</text>
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              <text>Vox Clamantis</text>
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              <text>Cronica Tripertita</text>
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            <elementText elementTextId="88938">
              <text>Confessio Amantis</text>
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            <elementText elementTextId="91156">
              <text>Mirour de l'Omme (Speculum Meditantis)</text>
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                <text>John Gower in his Most Significant Role</text>
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                <text>[University of Colorado],</text>
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              <text>Callan compares Gower and Chaucer's telling of the tale of "Pyramus and Thisbe." He notes Gower's aptitude for didacticism, and adds, "Gower has a simple mind, unencumbered with subtleties, and it is one of the incidental pleasures of reading the Confessio Amantis to see what surprising lessons he can extract from the most unpromising material" (270). Gower on the whole translates his original closely, "but he is never the slave of it" (271). For instance, he expands the description of Polyphemus' envious emotions and alters Ovid's somewhat abstruse account of Medea's necromancy. Chaucer's adaptation of Ovid is more varied. His rendering of "The Legend of Lucretia" stays so "tediously close" (272) to Ovid that it lacks all spontaneity. On the other hand, when Chaucer works freely with his source he produces more "felicitous re-creations of individuals words and lines" (274) than Gower. In "Pyramus and Thisbe," for instance, Chaucer retains the detail that the walls of the town are made from baked tiles ("coctilibus" in Ovid), and he renders Thisbe's hiding from the lion with the unique verb "darketh" (Ovid has "obscurum"). Chaucer's lines tend to resonate with more powerful echoes, and so Callan concludes that "[d]espite the virtues of Gower's rendering which make it at a first reading more attractive than Chaucer's, there is a strength in the latter which brings us back to his passages more than once, when we are content to let Gower remain a pleasant memory" (276). [CvD]</text>
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              <text>Callan, Norman. "Thyn Owne Book: A Note on Chaucer, Gower and Ovid." Review of English Studies 22 (1946), pp. 269-281.</text>
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              <text>Confessio Amantis</text>
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                <text>Thyn Owne Book: A Note on Chaucer, Gower and Ovid</text>
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              <text>Chute Marchette.</text>
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              <text>Chute Marchette. Geoffrey Chaucer of England. New York: Dutton, 1946, pp. 82, 83, 129, 145, 193, 199, 200, 204, 205, 207, 234, 235, 241, 245, 249, 271, 272, 291, 316. </text>
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Sources, Analogues, and Literary Relations</text>
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              <text>Chaucer and Gower relations were friendly and close; Chaucer knew Gower's work, which is generally more moral than Chaucer's; the whole of CA is a compliment to Chaucer, because it was written in English. Gower was a social critic in MO and VC. [RFY1981]</text>
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              <text>Generally even-handed assessment of Gower as a poet. [RFY1981]</text>
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              <text>Joachums, M. C. "The Legend of the Voice from Heaven." Notes and Queries, New Series 11 (1946): 44-47. </text>
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              <text>Backgrounds and General Criticism</text>
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            <elementText elementTextId="96531">
              <text>Brief biography; description and summaries of works; friend of Chaucer, and a moralist. [RFY1981] </text>
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              <text>Zanco, Aurelio.</text>
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            <elementText elementTextId="96533">
              <text>Zanco, Aurelio. Storia della Letterature Inglese: Dalle Origini alla Restaurazione, 650-1660. Turin: Chiantore, 1946, I, 52, 53, 87-91 94, 96, 141, 344, 366, 367</text>
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              <text>Backgrounds and General Criticism</text>
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          </elementTextContainer>
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                <text>1946</text>
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              <text>Brief biography; list of works; works assessment generally positive. [RFY1981]</text>
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              <text>Raith, Josef. </text>
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              <text>Raith, Josef. Meister in Poesie und Prosa. Munich: Lurz, 1947, p. 23. Reprinted in Geschichte der englischen Literatur. Munich: Heuber, 1961, p. 57. </text>
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              <text>Backgrounds and General Criticism</text>
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1961</text>
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              <text>Recommends caution against certainty in considering Gower, Chaucer, Wyclif, Langland, or John of Trevisa to be "makers" of English vocabulary, citing lack of evidence before the sixteenth century. [RFY1981; rev. MA].</text>
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        <element elementId="97">
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              <text>Barker, Ernest.</text>
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              <text>Barker, Ernest. The Character of England. Oxford: Clarendon, 1947, p. 288</text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
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              <text>Language and Word Studies</text>
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                <text>1947</text>
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              <text>Cites Macaulay's "Complete Works of Gower" (II, xivll) in support of the notion that the "Manuel des Peches" and "Handlyng Synne" participate in a tradition of practical manuals of confession. [RFY1981; rev. MA].</text>
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        <element elementId="55">
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              <text>Robertson, D. W., Jr. "The Cultural Tradition of 'Handlyng Synne'." Speculum 22 (1947): 162-85, esp. 164n14.</text>
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        </element>
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              <text>Sources, Analogues, and Literary Relations</text>
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                <text>1947</text>
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              <text>A general discussion of Chaucer and fifteenth-century writers, with comparisons to CA, MO, and VC at several points. [RFY1981; rev. MA].</text>
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              <text> Bennett, H. S. Chaucer and the Fifteenth Century. Oxford: Clarendon Press, 1947, pp. 8, 10, 24, 39, 68, 71, 80, 81, 83, 114, 126, 152.</text>
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              <text>Backgrounds and General Criticism&#13;
Mirour de l'Omme (Speculum Meditantis)&#13;
Vox Clamantis&#13;
Confessio Amantis</text>
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