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            <elementText elementTextId="93153">
              <text>Prints "Eson Regains his Youth," CA, Book V, 3945-4174. Reprints Macaulay; glosses at bottom of page. [RFY1891]. </text>
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        <element elementId="97">
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          <description>Author/Editor</description>
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              <text>Manly, John M., ed.</text>
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            <elementText elementTextId="93155">
              <text>Manly, John M., ed. English Poetry, 1170-1892. Boston: Ginn, 1907, pp. 22-24</text>
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        <element elementId="56">
          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="93156">
              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations</text>
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                <text>English Poetry, 1170-1892. </text>
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                <text>1907</text>
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            <elementText elementTextId="93159">
              <text>Prints "Three Questions," CA, Book I, 3067-80; prose summary 3081-3238; 3239-34; omits 3244-45; 3246-3310; prose summary 3311-42; 3343-44; prose summary 3345-58; 3359-86; omits 3387-3421; 3422-25; apparently a reprinting of Macaulay. Includes a brief biography and an introduction that is generally critical of Gower for being "so desperately in earnest that he loses all sense of proportion." [RFY1981]</text>
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        <element elementId="97">
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              <text>Hadow, G. E., and W. H. Hadow, eds.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="93161">
              <text>Hadow, G. E., and W. H. Hadow, eds. The Oxford Treasury of English Literature. 2nd ed. 3 vols. Oxford: Clarendon Press, 1907, 1:127-37.</text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="93162">
              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations&#13;
Biography of Gower&#13;
Backgrounds and General Criticism</text>
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              <elementText elementTextId="93157">
                <text>The Oxford Treasury of English Literature.</text>
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              <elementText elementTextId="93158">
                <text>1907</text>
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            <elementText elementTextId="93898">
              <text>Supports Macaulay (1899-1902) that MO was written ca. 1375-1381.</text>
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              <text>Tatlock, J. S. P.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="93900">
              <text>Tatlock, J. S. P. The Development and Chronology of Chaucer's Works. London: Chaucer Society, 1907, pp. 220-25.</text>
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          <name>Gower Subject</name>
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            <elementText elementTextId="93901">
              <text>Mirour de l'Omme (Speculum Meditantis)</text>
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              <elementText elementTextId="93896">
                <text>The Development and Chronology of Chaucer's Works.</text>
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              <elementText elementTextId="93897">
                <text>1907</text>
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              <text>Uses passages from CA as comments on English social life and characters--jugglers, the "ferment of democracy," desire not to slay heathen, fear of Peasants' Revolt; Gower is a "strong partisan of the aristocracy," even though Dale recurrently links his views with those of Langland. [RFY1981; rev. MA].</text>
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              <text>Dale, Edmund.</text>
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            <elementText elementTextId="94625">
              <text>Dale, Edmund. National Life and Character in the Mirror of Early English Literature. Cambridge, Mass.: Harvard University Press, 1907, pp. 217, 229, 235, 268, 270, 272, 275, 285, 289, 290, 295 300, 301, 302, 310, 311, 318, 320.</text>
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            <elementText elementTextId="94626">
              <text>Backgrounds and General Criticism&#13;
Confessio Amantis&#13;
Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="94621">
                <text>National Life and Character in the Mirror of Early English Literature.</text>
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              <elementText elementTextId="94622">
                <text>1907</text>
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            <elementText elementTextId="96333">
              <text>Brief biography .and assessment of works</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
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            <elementText elementTextId="96334">
              <text>Crawshaw, William H.</text>
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        <element elementId="55">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="96335">
              <text>Crawshaw, William H. The Making of English Literature. New York: Heath, 1907. Rev. ed., 1924, pp. 56, 60-62, 73, 76, 463, 487, 488.</text>
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          <name>Gower Subject</name>
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              <text>Backgrounds and General Criticism</text>
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              <elementText elementTextId="96331">
                <text>The Making of English Literature.</text>
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                <text>1907</text>
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          <elementTextContainer>
            <elementText elementTextId="96339">
              <text>Brief list of works and consideration of Gower as a "moral poet." [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
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            <elementText elementTextId="96340">
              <text>Nicoll, W. Robertson&#13;
Seccombe, Thomas.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96341">
              <text>Nicoll, W. Robertson, and Thomas Seccombe. A History of English Literature. 3 vols. New York: Dodd, Mead, 1907, I, pp. 32-35. </text>
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          <name>Gower Subject</name>
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              <text>Backgrounds and General Criticism</text>
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                <text>A History of English Literature.</text>
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                <text>1907</text>
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          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88912">
              <text>Macaulay opens his biographical account of Gower's life and oeuvre by situating him within the history of vernacular English. Whereas it was above all Chaucer who reconciled the English language with French tastes, Gower also had some small part to play. Since Chaucer's wide reading of continental literature can hardly be regarded as typical, the "normal development of English literature in its progress towards general acceptance" can better be illustrated by Gower, "though he is a man of talent only, not of genius" (134). Macaulay provides a brief biography of Gower's life, during which he argues that there is insufficient evidence of a quarrel with Chaucer. He further suggests that the development of Gower's political opinions may best be traced in his writing. Of note is Gower's revision of Book 6 of the VC to put more blame on Richard II. In the recensions of the CA we also gradually witness Gower become "more and more embittered" (137) with Richard's self-indulgence and arbitrary rule. Finally, the CrT brings new hope in the person of Henry IV. The longest part of Macaulay's essay introduces Gower's three major works and their literary, as opposed to didactic, qualities. The MO, first of all, describes the virtues and vices "to such inordinate length that the effect of unity is almost completely lost, and the book becomes tiresome to read" (141). After noting some redeeming features, and providing a brief description of Gower's French verse style, Macaulay argues that the most valuable part of the MO consists of the review of the various classes of society. Similarly, the most interesting part of the VC is the description of the Peasants Revolt, even though this portion (the Visio) may have been added to the manuscript as "an afterthought" (144). The VC develops the doctrine of man as microcosm introduced in the MO, and dwells in more detail on contemporary politics. When it comes to language and meter, Gower's practice of borrowing couplets and longer passages from other authors means that "we must be cautious in giving him credit for any particular passage" (144). Next, Macaulay suggests that Gower's decision to write the CA may have been caused not necessarily by the meeting with Richard on the Thames, but also by the stimulus of Chaucer's recent work in the vernacular. Macaulay denies the influence of Gower's work on The Legend of Good Women and posits that the opposite is rather true. The most noteworthy aspect of the CA is its partial renunciation of didacticism. However, the unity of the CA is marred by a series of unnecessary digressions, the most egregious being the interpolation of Book 7. Another blemish is Genius's awkward characterization as both moralist and the high-priest of love. After a discussion of Gower's sources and their adaptation, as well as praise for the "taste for simplicity" (152) evident in Gower's poetical style, Macaulay concludes with a brief appraisal of the minor works. [CvD]</text>
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          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="88913">
              <text>Macaulay, George Campbell</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88914">
              <text>Macaulay, George Campbell. "John Gower." In The Cambridge History of English Literature. Ed. Ward, A. W. and Waller, A. R. Cambridge: Cambridge UP, 1908, pp. 133-155.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88915">
              <text>Style, Rhetoric, and Versification</text>
            </elementText>
            <elementText elementTextId="88916">
              <text>Minor Latin Poetry</text>
            </elementText>
            <elementText elementTextId="88917">
              <text>Cinkante Balades</text>
            </elementText>
            <elementText elementTextId="88918">
              <text>Cronica Tripertita</text>
            </elementText>
            <elementText elementTextId="88919">
              <text>Confessio Amantis</text>
            </elementText>
            <elementText elementTextId="88920">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="88921">
              <text>In Praise of Peace</text>
            </elementText>
            <elementText elementTextId="88922">
              <text>Vox Clamantis</text>
            </elementText>
            <elementText elementTextId="88923">
              <text>Biography of Gower</text>
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Biography of Gower&#13;
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Sources, Analogues, and Literary Relations&#13;
Vox Clamantis&#13;
Cronica Tripertita&#13;
Confessio Amantis&#13;
Minor Latin Poetry</text>
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              <text>Uses poems of Chaucer, Gower, and Langland to support conclusions about topics such as "Clothing," "Meals," and so forth. Primarily concerned with poetry as social history. [RFY1981]</text>
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              <text>Kröllreutter, Maria. Das Privatleben in England nach den Chaucer, Gower, und Langland. Halle: E. Karras, 1908.</text>
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1910</text>
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              <text>MacCracken publishes a Middle English translation of Gower's ballade sequence Traitié. This remarkably close translation by a certain Quixley had not been noted before, and MacCracken's is the first (and only) edited version. It is in a northern dialect and likely from Yorkshire, and MacCracken suggests a number of Quixleys (after the village of Whixley, just north-west of York), as possible authors. He settles on a lord, John Quixley, whose daughter married in 1402, on which occasion a poem of this nature would have been appropriate. [CvD]</text>
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              <text>Edition of a Spanish prose translation of a Portuguese translation (now apparently lost) of a first-recension manuscript of the CA; text based on MS. Escorial G II-19 (ca. 1400). Complete text of CA except Book IV, 110-12l; 1822-34; Book VII, 375-92; 3207-3360 omitted; interpolations of 19 lines of prose, apparently scribal, at Book II, 3294, and Latin gloss at Book V, 7721. Glossary (into modern Spanish); index of names. [RFY1891.]</text>
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              <text>Birch-Hirschfield, Adolf, ed. Confision del Amante, por Joan Goer: Spanishe Übersetzung von John Gowers Confessio Amantis. Leipzig: Seele, 1909. </text>
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Facsimiles, Editions, and Translations&#13;
Manuscripts and Textual Studies</text>
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              <text>Chaucer knew CA, and Gower's tale of Medea, and may have used it while writing his version for the "Legend of Good Women"; publication of CA in 1390 caused Chaucer to recall his Medea story, so he could not help a friendly dig at Gower in the "Man of Law's Tale," which he was then writing. [RFY1981].</text>
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              <text>Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Confessio Amantis</text>
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              <text>Finds no evidence to prove that Gower knew Dante's works. [RFY1981].</text>
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              <text>Toynbee, Paget.</text>
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              <text>Toynbee, Paget. Dante in English Literature from Chaucer to Cary. London: Methuen, 1909, I, 17</text>
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            <elementText elementTextId="94368">
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                <text>1909</text>
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              <text>Employs a definition of "conjunction" derived from Old English practice; plenteous examples. [RFY1981].</text>
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              <text>Förg, B. Die Konjunktionen in Gowers Confessio Amantis. Ph.D. dissertation. University of Heidelberg, 1910. Tübingen: H. Laupp, 1911. </text>
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1911</text>
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              <text>Gower's meter is simple but effective, and proved influential on later writers such as George Wither, William Browne, and John Keats. [RFY1981].</text>
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          <description>Author/Editor</description>
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              <text>Saintsbury, George.</text>
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            <elementText elementTextId="92951">
              <text>Saintsbury, George. A History of English Prosody from the Twelfth Century to the Present Day. London: Macmillan, 1910, I, 139-42. </text>
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          <elementTextContainer>
            <elementText elementTextId="92952">
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Influence and Later Allusion</text>
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      <name>GowerType</name>
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              <text>Prose translation from MO, 25213-14; 25225-60; 25273-75; 25285-96; 25309, 25321-44; 26077-136, followed by MO, 18431-56; 18481-516; 18601-48. [RFY1981].</text>
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              <text>Coulton, G. G., ed. and trans. A Medieval Garner: Human Documents from the Four Centuries Preceding the Reformation.  London: Constable, 1910, pp. 575-81. </text>
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          <name>Gower Subject</name>
          <description/>
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Facsimiles, Editions, and Translations</text>
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          <name>Review</name>
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              <text>Gower was a "learned poet," and Chaucer's friend. [RFY1981]</text>
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        <element elementId="97">
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Shelly, Percy Van Dyke</text>
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              <text>Pancoast, Henry S., and Percy Van Dyke Shelly. A First Book in English Literature. New York: Holt, 1910, pp. 62, 68, 92, 101</text>
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Mirour de l'Omme (Speculum Meditantis)&#13;
Confessio Amantis</text>
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              <text>Buckland, Anna. The Story of English Literature. London: Cassell, 1911, p. 60. </text>
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              <text>Unexamined. [RFY1981]</text>
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              <text>Evans, J. F. </text>
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        <element elementId="55">
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          <elementTextContainer>
            <elementText elementTextId="95820">
              <text>Evans, J. F. "The Attitude of Chaucer Towards Chivalry. The Church, and the People, Compared with that of Langland, Wycliff, and Gower." M.A. Thesis. Wales University, 1911. </text>
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          <elementTextContainer>
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          <element elementId="50">
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              <elementText elementTextId="95816">
                <text>The Attitude of Chaucer Towards Chivalry. The Church, and the People, Compared with that of Langland, Wycliff, and Gower.</text>
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                <text>1911</text>
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        <element elementId="52">
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          <elementTextContainer>
            <elementText elementTextId="95824">
              <text>Includes close examination of MO, 18421-21780; VC, Books III and IV; and CA, Prologue, from the viewpoint of religious criticism. [RFY1981]</text>
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        <element elementId="97">
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              <text>Gebhard, Heinrich.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Gebhard, Heinrich. Langlands und Gowers Kritik der kirchlichen Verhaltnisse ihrer Zeit. Strassburg: Hornberg, 1911. </text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="95827">
              <text>Backgrounds and General Criticism</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="95822">
                <text>Langlands und Gowers Kritik der kirchlichen Verhaltnisse ihrer Zeit.</text>
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                <text>1911</text>
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            <elementText elementTextId="85555">
              <text>Hamilton agrees with Macaulay that earlier critics from Warton onward wrongly assumed that Book 7 of the CA is by and large a borrowing from the Secretum Secretorum (SS). However, he argues that Macaulay restricts Gower's indebtedness too much by only looking at the Latin original of the SS. According to Hamilton, Gower also uses a French translation by Jofroi de Watreford. This text was translated into English by James Yonge in 1422, and Hamilton shows how close Gower is to both by comparing the various versions of the tale of Cambyses. Yet, Gower sometimes uses multiple texts as sources. For example, the section of Book 7 that Peck's edition entitles "Triumph, Humility, and the Roman Emperors" borrows the name of the hostile people "Dorence," and the reference to the god Apollo from some collection of exempla, whereas he uses Jofroi for details such as the citation of his sources (333). Similarly, the description of the nobility of the lion (7.3387-99) is borrowed partially from Jofroi and partially from Brunetto Latini. Gower further relies on Jofroi for the information about the four complexions of man and for the story of Diogenes and Aristippus. Even Gower's biblical stories "were suggested in their due category to Gower by his French source" (15). At other times Gower and Jofroi share the same source, as in the moralization on Alexander (CA 3.2438-80), which ultimately stems from the Disciplina Clericalis of Petrus Alphonsus (338). Yet, in at least one respect Gower parts way with Jofroi. Gower does not agree that the scientific discourse of the original Latin SS lacks authority and is false (341). In fact, Gower uses other sources (like Brunetto Latini and Martianus Capella) to expand his discussion of the influence of the planets. [CvD]</text>
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              <text>Hamilton, George L. ""Some Sources of the Seventh Book of Gower's Confessio Amantis."." Modern Philology 9.3 (1912), pp. 323-46.</text>
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            <elementText elementTextId="85558">
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              <text>Confessio Amantis</text>
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            <elementTextContainer>
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            <elementText elementTextId="94039">
              <text>A detailed study, showing primarily similarities between participial usage of Gower and Chaucer, with occasional comparisons with Langland's usage. [RFY1981].</text>
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        <element elementId="97">
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          <elementTextContainer>
            <elementText elementTextId="94040">
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="94041">
              <text>Eichhorn, Ernst. Das Partizipium bei Gower in Vergleich mit Chaucer Gebrauch. Ph.D. dissertation. Christian-Albrechts-Universität zu Kiel, 1912. Kiel: H. Fiencke, 1912. </text>
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          <elementTextContainer>
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                <text>Das Partizipium bei Gower in Vergleich mit Chaucer Gebrauch.</text>
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                <text>1912</text>
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              <text>Discusses Gower's works in relation to Chaucer's, and the dependence of each poet on the French tradition. [RFY1981].</text>
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              <text>Ker, W. P. Medieval English Literature. London: Oxford University Press, 1912, pp. 55-56, 63, 69, 134, 164-67. </text>
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Sources, Analogues, and Literary Relations</text>
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              <text>Gower was a friend of Chaucer. CA is a poem similar to "The Canterbury Tales." [RFY1981]</text>
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              <text>Legouis, Emile.&#13;
Lailavoix, L., trans.</text>
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              <text>Legouis, Emile. Geoffrey Chaucer. Translated by L. Lailavoix. London: Dent, 1913. Reprinted 1928, pp. 4, 5n, 9, 18, 33, 45, 141, 142, 147, 159. Originally published in French, Geoffroy Chaucer. Paris: Bloud, 1910. </text>
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              <text>Backgrounds and General Criticism</text>
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                <text>Geoffrey Chaucer.</text>
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1910</text>
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              <text>Chapter 3, "The Element of Love in Gower's Works" (38-90), examines aspects of courtly love in Gower's works. Dodd opens with a brief description of the CB, which he divides into two sections: ballads 1-5 which represent the happiness of the accepted lover, and ballads 6-51, which are universal in character and treat the feelings of lovers in general, "whether the course of their love runs smooth or not" (39). After providing further subdivisions, Dodd observes that although the ballads are often rather lifeless and conventional, they demonstrate the poet's ability to rival his French contemporaries in expressing the ideas of courtly love with grace and elegance. The rest of the chapter focuses primarily on the CA. Dodd notes the variety of influences on the CA, including confessional manuals, dream visions, works of courtly love, and sermon exempla. This mixture is also evident in the treatment of love, which not only takes on an ecclesiastical character, but also has feudal aspects, something especially evident in all the references to the "court" of Venus and Cupid (see the quotations on 47-49). The power and fickleness of these deities of love are also extensively illustrated by Dodd, and the conventionality of their characterization is stressed throughout. Other conventional themes that are discussed are secrecy, the figure of the lady, unrequited love, the allegorical figure Danger, and the ennobling effects of love (54-62). The next portion of Dodd's chapter examines the Seven Deadly Sins to see whether Gower successfully synthesizes his theological concerns with the religion of love (62-75). Dodd feels that Gower generally creates a sense of harmony between the two systems. For instance, the vices of supplantation and slander are expressly forbidden in Andreas Capellanus's code of love. On the other hand, Dodd does find some moments of discord. When Genius condemns fear and forgetfulness on the part of the lover he departs from courtly conceptions. Likewise, his assertion that Love detests jealousy and his opposition to love-drunkenness is quite uncharacteristic of the tradition of courtly love. Lastly, the treatment of chastity in Book 7 and the condemnation of incest in Book 8 have "nothing to do with the lover's shrift" (74), but are rather tied to the affairs of church (incest) and state (the advice on chastity is offered to Richard II). Next, Dodd returns to the enumeration of courtly love conventions in the CA, including the description of the effects of love upon the feelings, and the rhetorical use of contradictions (something also evident in the minor poem "Carmen de variis in amore passionibus breviter compilatum"). The question Dodd ends with is whether there is anything in the CA which "lifts it above mere conventionality" (80). The answer, for Dodd, is in the affirmative, not only because Gower's exempla are well-told, but also because the characterization of the lover and the lady lacks all extravagance and idealization, and is instead sensible, homely, and treated with "practical common sense" (81). However, despite the sympathetic treatment of love (visible for instance in the tale of "Canace and Machaire"), Gower ultimately dissociates himself from courtly love, and in the Traitié even condemns it. Based on Dodd's "The Treatment of Love by Chaucer and Gower." Ph. D. Dissertation. Harvard University, 1911.[CvD; rev. MA]</text>
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              <text>Cinkante Balades</text>
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              <text>Confessio Amantis</text>
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              <text>Traitié pour Essampler les Amants Marietz</text>
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              <text>Mirour de l'Omme (Speculum Meditantis)</text>
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              <text>Prints "Lucius and the Statue," CA, Book V, 7105*-92*; no source given. Privately printed edition of 32 copies only. [RFY1981].</text>
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              <text>Bubb, Charles Clinch, printer. Of False Allegations, by John Gower. Cleveland: Bubb, 1913.</text>
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            <elementText elementTextId="93168">
              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations</text>
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              <text>Uses Gower as evidence of Londoners' changing views of Henry IV, Richard II; presumes Londoners wavered according to who was in power. [RFY1981]</text>
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              <text>Primarily a study of Chaucer's "Book of the Duchess" and "House of Fame," but includes references to Gower's CA as an example of smoothly-handled octosyllables leading to monotony. [RFY1981]</text>
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              <text>Lowes argues that the fourth canto of Book 1 of Edmund Spenser's Faerie Queen – with its description of the progress of Pride and the other Deadly Sins – is extensively indebted to the description of the marriage of Pride and the World in Gower's MO. Most obviously, each sin rides on a symbolic animal, carries an appropriate object in its hand, and is associated with a specific malady (389). Lowes admits that there are differences in, for example, the sex of the sins, and the order in which they appear. Moreover, there are only four beasts that are used by both authors (and only 2 of those for the same sin), only three maladies that are common to both (and none is used for the same sin), and the actual objects that are carried are quite different. Despite this, Lowes demonstrates that there are numerous verbal parallels between the two texts. Spenser tends to move material around a great deal. For instance, he transfers the lion from Pride to Wrath because his Pride already rides in a chariot. Yet the description remains the same: Gower writes of a lion that will not go quietly for any amount of punishment ("pour nul chastiement"), and Spenser's lion is "loth for to be led" (qtd. on 400). Similarly, Spenser refers to Gluttony as a steward, and to Sloth as a chamberlain, phraseology that recalls lines 296-98 of the MO. Lowes admits that Spenser also uses other sources, but while the whole is a "composite" (415), the largest contribution is Gower's. Lowes further suggests that Spenser seems to have supplemented his many borrowings by turning to corresponding passages in the CA; the account of Avarice, for instance, is drawn almost equally from both sources (418-23). The result is that we find "bilingual scraps of Gower transmuted into pure, authentic Spenser" (423). Lowes further argues that other passages in the Faerie Queen (besides Book 1, Canto 4) are also influenced by Gower (438-47). Foremost among these are two descriptions of Envy in Book 4 (Canto 8), and Book 5 (Canto 12). Finally, Lowes rejects the possibility of a shared source for Gower and Spenser, and suggests that despite the survival of only one manuscript of the MO, the chance of Spenser's acquaintance with Gower's French works is not unlikely given the latter's "distinguished (and by no means undeserved) reputation as a poet not only in his own day, but in the fifteenth and sixteenth centuries as well" (449-50). It is specifically in "Gower's series of strikingly pictorial, arresting stanzas" that Spenser found "a mine of suggestive detail" (437). [CvD]</text>
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              <text>Lowes, John Livingston</text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="85295">
              <text>Confessio Amantis</text>
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            <elementText elementTextId="85296">
              <text>Influence and Later Allusion</text>
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            <elementText elementTextId="91122">
              <text>Mirour de l'Omme (Speculum Meditantis)</text>
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          <name>Published</name>
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            <elementText elementTextId="91069">
              <text>Lowes, John Livingston. "Spenser and the Mirour de l'Omme." PMLA: Publications of the Modern Language Association of America 29.3 (1914), pp. 388-452.</text>
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                <text>1914</text>
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              <elementText elementTextId="91036">
                <text>Spenser and the Mirour de l'Omme.</text>
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  </item>
  <item itemId="8608" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
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                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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    <itemType itemTypeId="18">
      <name>GowerType</name>
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            <elementText elementTextId="85340">
              <text>In the Latin summary of Gower's three works – appended to the CA – Gower speaks of the obligation he feels to pass on the knowledge he has received as a gift from God. Cook suggests that Gower may be indebted here to the beginning of Dante's De Monarchia, where the same language of laboring for posterity with one's God-given talents is used. [CvD]</text>
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            <elementText elementTextId="85341">
              <text>Cook, Albert S</text>
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            <elementText elementTextId="85342">
              <text>Cook, Albert S. "Dante and Gower." Archiv für das Studium der neueren Sprachen und Literaturen 132 (1914), p. 395.</text>
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        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="85343">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="85344">
              <text>Confessio Amantis</text>
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          </elementTextContainer>
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              <elementText elementTextId="85336">
                <text>Dante and Gower.</text>
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            <name>Date</name>
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              <elementText elementTextId="85337">
                <text>1914</text>
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              <elementText elementTextId="85338">
                <text>Article</text>
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                <text>PeerReviewed</text>
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  <item itemId="8633" public="1" featured="0">
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          <name>Dublin Core</name>
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              <name>Title</name>
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                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
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            <elementText elementTextId="85564">
              <text>Kuhl's article is primarily about the witnesses in the Cecily Champaign affair, but at the very end he makes a brief mention of John Gower. After suggesting that Chaucer may have owed his guardianship of the heirs of Edmund Staplegate in 1375 to Ralph Strode, Kuhl notes that John Gower too can be linked to Edmund Staplegate. According to the Calendar of Patent Rolls, in 1386 and 1387, "John Gower and Edmund Staplegate were among the purveyors of victuals at Dover Castle" (275). Kuhl suggests that this is Gower the poet, and on the basis of these connections he concludes that "Troilus and Criseyde was dedicated to two friends who were members of the King's faction" (276). [CvD]</text>
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        <element elementId="97">
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            <elementText elementTextId="85565">
              <text>Kuhl, Ernest P</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="85566">
              <text>Kuhl, Ernest P. "Some Friends of Chaucer." PMLA: Publications of the Modern Language Association of America 29.2 (1914), pp. 270-76.</text>
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        </element>
        <element elementId="56">
          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="85567">
              <text>Biography of Gower</text>
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      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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            <elementTextContainer>
              <elementText elementTextId="85560">
                <text>Some Friends of Chaucer.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="85561">
                <text>1914</text>
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  </item>
  <item itemId="9762" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="25233">
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    <itemType itemTypeId="18">
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          <name>Review</name>
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          <elementTextContainer>
            <elementText elementTextId="94647">
              <text>Generally negative discussion of CA as a representative of a class of medieval "Framework Tales," including "Legend of Good Women," "Canterbury Tales," "Decameron," and "Seven Sages. [RFY1981].</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94648">
              <text>Baldwin, Charles Sears.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94649">
              <text>Baldwin, Charles Sears. An Introduction to English Medieval Literature. New York: Longmans, Green, and Co., 1914, pp. 212, 224-26, 227, 228</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94650">
              <text>Confessio Amantis&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94645">
                <text>An Introduction to English Medieval Literature.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94646">
                <text>1914</text>
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  </item>
  <item itemId="9883" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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    <itemType itemTypeId="18">
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            <elementText elementTextId="95368">
              <text>Gower had Chaucer's affairs in hand while the latter was overseas; Gower "indifferently" multilingual. [RFY1981]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95369">
              <text>Hadow, Grace.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95370">
              <text>Hadow, Grace. Chaucer and His Times. London: Williams and Norgate, 1914, pp. 22, 37, 209. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95371">
              <text>Biography of Gower&#13;
Language and Word Studies</text>
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        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="95366">
                <text>Chaucer and His Times.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95367">
                <text>1914</text>
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  <item itemId="10048" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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          <elementTextContainer>
            <elementText elementTextId="96357">
              <text>Compares and contrasts Gower with Chaucer and with Langland; "For all the medievalism of his subjects . . . he remains a modern writer. [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96358">
              <text>Mair, G. H.</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96359">
              <text>Mair, G. H. Modern English Literature: From Chaucer to the Present Day. New York: Holt, 1914, pp. 4, 8, 13, 14</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96360">
              <text>Backgrounds and General Criticism</text>
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      <elementSet elementSetId="1">
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          <element elementId="50">
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            <elementTextContainer>
              <elementText elementTextId="96355">
                <text>Modern English Literature: From Chaucer to the Present Day.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="96356">
                <text>1914</text>
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  <item itemId="10049" public="1" featured="0">
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      <elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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        <element elementId="52">
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            <elementText elementTextId="96363">
              <text>Brief description of Gower as poet, his life and times, with pictures by Pre-Raphaelites. [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96364">
              <text>Parrott, Edward.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="96365">
              <text>Parrott, Edward. The Pageant of English Literature. New York: Sully and Kleintelch; London: Nelson, 1914, pp. 123-28</text>
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        <element elementId="56">
          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="96366">
              <text>Backgrounds and General Criticism</text>
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                <text>The Pageant of English Literature.</text>
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                <text>1914</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      </elementSetContainer>
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      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
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          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96668">
              <text>Attempts to define "beginning the board" as it would have been understood in fourteenth-century England; concludes that it means "heading the table of honor," based on contexts in various works, including CA, VIII, 414. [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96669">
              <text>Cook, Albert S.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96670">
              <text>Cook, Albert S. "Beginning the Board in Prussia." Journal of English and Germanic Philology 13 (1914): 375-88. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96671">
              <text>Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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            <elementTextContainer>
              <elementText elementTextId="96666">
                <text>Beginning the Board in Prussia.</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1914</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
  </item>
  <item itemId="10101" public="1" featured="0">
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          <elementContainer>
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              <name>Title</name>
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                </elementText>
              </elementTextContainer>
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      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96674">
              <text>Uses Gower's description of the Estates and various vices in the CA and MO as a context for the Canterbury Pilgrims' behavior. [RFY1981]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96675">
              <text>Tupper, Frederick.</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96676">
              <text>Tupper, Frederick. "The Quarrels of the Canterbury Pilgrims." Journal of English and Germanic Philology 13 (1914): 256-70. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96677">
              <text>Mirour de l'Omme (Speculum Meditatntis)&#13;
Confessio Amantis</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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            <elementTextContainer>
              <elementText elementTextId="96672">
                <text>The Quarrels of the Canterbury Pilgrims.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96673">
                <text>1914</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93171">
              <text>Prints "Eson Regains his Youth," CA, Book V, 3945-4174; "Apollonius of Tyre," VIII, 597-911; reprints Macaulay. Brief biography; glossed at page bottom.</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="93172">
              <text>Cook, Albert S., ed. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93173">
              <text>Cook, Albert S., ed. A Literary Middle English Reader. Boston: Ginn, 1915, pp. 34-53. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93174">
              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93169">
                <text>A Literary Middle English Reader.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93170">
                <text>1915</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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  <item itemId="9691" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94223">
              <text>Discusses Gower's short French works in French, focusing on the sources and influences of CB, and observing Gower's conventionalities and his variations on them. [RFY1981; rev. MA]. </text>
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          </elementTextContainer>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="94224">
              <text>Cohen, Helen L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94225">
              <text>Cohen, Helen L. The Ballade. New York: Columbia University Press, 1915, pp. 105-14, 225, 228, 241n, 264-66, 283n. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="94226">
              <text>Style, Rhetoric, and Versification&#13;
Cinkante Balades</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94221">
                <text>The Ballade.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94222">
                <text>1915</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="9913" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95548">
              <text>Unexamined. [RFY1981]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95549">
              <text>Thomson, P. W.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95550">
              <text>Thomson, P.W. "The Influence of Chaucer, Gower, and Lydgate on the Scottish Poets in the 15th and early 16th Centuries. B.Litt. Thesis. Oxford University, 1915. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95551">
              <text>Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95546">
                <text>The Influence of Chaucer, Gower, and Lydgate on the Scottish Poets in the 15th and early 16th Centuries.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95547">
                <text>1915</text>
              </elementText>
            </elementTextContainer>
          </element>
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      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="9961" public="1" featured="0">
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        <elementSet elementSetId="1">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95836">
              <text>Asserts that Gower was a political conservative, frightened by the Peasants' Revolt; he adopted the code of courtly love in the CA, "with no thought of incongruity." [RFY1981; rev. MA]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95837">
              <text>Kittredge, George Lyman.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95838">
              <text>Kittredge, George Lyman. Chaucer and His Poetry. Cambridge, MA: Harvard University Press, 1915; sixteenth printing, 1970, pp. 3, 130. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95839">
              <text>Backgrounds and General Criticism&#13;
Confessio Amantis</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95834">
                <text>Chaucer and His Poetry.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95835">
                <text>1915</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
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                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="85651">
              <text>Bihl sees Chaucer and Gower's language as the culmination of the gradual fusion of English and French (and to a lesser degree Latin). Both metrically and grammatically, Gower is more conservative and archaic, while Chaucer is more progressive. Chaucer uses everything that has "Kraft und Leben" (power and life) and is the fountain of language, at least until Shakespeare. However, Bihl's main thesis has less to do with general differences between the two authors (most of the book describes only minor differences), and more with the effect of rhythm and rhyme on grammar and diction. Bihl argues that "Der Rhythmus wirkt also night nur als ein erhaltendes, sondern auch als ein neu schöpfendes Agens" ("Rhythm also does not work only as an agent of conservation, but also as one that creates anew"; 3). For example, since Middle English has a substantial hoard of synonyms and alternate word forms (e.g., coroun – croune), each poet's diction heavily depends on the constraints of versification. In addition, the accentuation of syllables is unregulated, which further increases the poet's versatility (especially Chaucer's). To demonstrate this thesis, Bihl's work is organized into five chapters: chapter 1 deals with syllabification and touches on the final –e, elision, and syncopation; chapter 2 examines meter and stress (where again Chaucer is more flexible than Gower), chapter 3 looks at word formation, particularly in relation to affixes (where aphesis occurs) and suffixes; chapter 4 reveals what remains of the old declensions in the late fourteenth century; and chapter 5 treats the subject of syntax. [CvD]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
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          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="85652">
              <text>Bihl, Josef</text>
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          </elementTextContainer>
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        <element elementId="55">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="85653">
              <text>Bihl, Josef. "Die Wirkungen der Rhythmus in der Sprache von Chaucer und Gower." Heidelberg: Carl Winters, 1916</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="85654">
              <text>Language and Word Studies</text>
            </elementText>
            <elementText elementTextId="85655">
              <text>Style, Rhetoric, and Versification</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="85646">
                <text>Die Wirkungen der Rhythmus in der Sprache von Chaucer und Gower</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="85647">
                <text>Carl Winters,</text>
              </elementText>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="85648">
                <text>1916</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="85650">
                <text>PeerReviewed</text>
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        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="9514" public="1" featured="0">
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93177">
              <text>Prints "Florent," CA, Book I, 1407-1861; "Alboin and Rosemund," Book I, 2459-2646; "Constantine and Sylvester," Book II, 3187-3496; "Rosiphelee," Book IV, 1245-1446; "Ceix and Alceone," Book IV, 2927-3123; "Adrian and Bardus," Book V, 4937-5162; reprints Macaulay. Glossed at page bottom. Biographical and bibliographical note (p.427). [RFY1981].</text>
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          </elementTextContainer>
        </element>
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          <name>Author/Editor</name>
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              <text>Neilson, W. A., and K. G. T. Webster, eds. Chief British Poets of the Fourteenth and Fifteenth Centuries: Selected Poems. Boston: Houghton Mifflin, 1916, pp. 79-94. </text>
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              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations</text>
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              <text>Prose translations of the following: MO 25213-5500, 26077-6136; the Latin head for the verse epistle to Bishop Arundel, following MS. All Souls; CA Prologue 1-25; 24*-75*; Book VIII 2941*-57*; CB 1, stanza 3; and Traitié pour Essampler les Amants Marietz 18, stanza 4, with brief commentary and contextualizing quotations from Macaulay, Stow, and others. [RFY1981].</text>
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Mirour de l'Omme (Speculum Meditantis)&#13;
Confessio Amantis&#13;
Cinkante Balades&#13;
Traitié pour Essampler les Amants Marietz&#13;
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              <text>Primarily concerned with variations in Gower's usage of "the." [[RFY1981].</text>
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              <text>Steinhoff, Ernst.</text>
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            <elementText elementTextId="94047">
              <text>Steinhoff, Ernst. Über den Gebrauch des Artikels in den Englischen Werken John Gowers mit Berüchsichtigung der Anwendung in Altenenglischen Sowie im Modernen Englischen. Ph.D. dissertation. Christian-Albrechts-Universität zu Kiel, 1916. Heildelberg: Winter, 1916.</text>
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              <elementText elementTextId="94043">
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              <elementText elementTextId="94044">
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            <elementText elementTextId="94051">
              <text>Cites Gower's use of the word "faerie" to mean "enchantment" as an example of that meaning. [RFY1981].</text>
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              <text>Jack, Adolphus Alfred.</text>
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            <elementText elementTextId="94053">
              <text>Jack, Adolphus Alfred. A Commentary on the Poetry of Chaucer and Spenser. Glasgow: Maclehose, Jackson, 1920, p. 339.</text>
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          <elementTextContainer>
            <elementText elementTextId="94054">
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              <elementText elementTextId="94049">
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            <elementText elementTextId="95842">
              <text>Examines Gower's attitudes towards the Peasants' Revolt as expressed in the MO and VC; concludes Gower was no democrat. A "Prospectus" for this study was also published in Archiv für das Studium der neueren Sprachen und Literaturen 137 (1918): 128. [RFY1981; rev. MA]</text>
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        <element elementId="97">
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            <elementText elementTextId="95843">
              <text>Eberhard, Oscar.</text>
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          <elementTextContainer>
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              <text>Eberhard, Oscar. "Der Bauernaufstand vom Jahre 1381 in der englischen Poesie." Anglistische Forschungen 51 (1916): 13-15, 37-43. </text>
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            <elementText elementTextId="95845">
              <text>Backgrounds and General Criticism&#13;
Mirour de l'Omme (Speculum Meditantis)&#13;
Vox Clamantis</text>
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            <elementText elementTextId="96369">
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        <element elementId="97">
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          <elementTextContainer>
            <elementText elementTextId="96370">
              <text>Fletcher, Robert Huntington.</text>
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          <elementTextContainer>
            <elementText elementTextId="96371">
              <text>Fletcher, Robert Huntington. A History of English Literature. Boston: Badger, 1916, pp. 69-70. </text>
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              <elementText elementTextId="96367">
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              <text>Uses examples from the MO and the CA for background Chaucer might have known in developing his ideas of sins, and their effect on men. [RFY1981]</text>
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        <element elementId="97">
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            <elementText elementTextId="96681">
              <text>Tupper, Frederick.</text>
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              <text>Tupper, Frederick. "Chaucer's Sinners and Sins." Journal of English and Germanic Philology 16 (1915): 56-106</text>
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          <elementTextContainer>
            <elementText elementTextId="96683">
              <text>Mirour de l'Omme (Speculum Meditantis)&#13;
Confessio Amantis&#13;
</text>
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            <elementText elementTextId="93183">
              <text>Prints both versions of CA, Prologue 1-92 and 24*-92*; "Pyramys and Tysbe, Book III, 1331-1548. Claims to follow Macaulay, but orthography differs. [RFY1981].</text>
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        <element elementId="97">
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            <elementText elementTextId="93184">
              <text>Brandl, A. and O. Zippel, eds.</text>
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            <elementText elementTextId="93185">
              <text>Brandl, A. and O. Zippel, eds. Mittelenglische Sprach- und Literaturproben. Berlin: Weidmann, 1917, pp. 174-80</text>
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        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93186">
              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations</text>
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                <text>1917</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Gower Collection</text>
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    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
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          <elementTextContainer>
            <elementText elementTextId="93808">
              <text>Useful and informative summation of all biographical information about Gower known to the time of publication; modern artist's conception of a portrait of Gower, perhaps based upon manuscript illustrations. [RFY1981].</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="93809">
              <text>Lee, Sir Sidney, ed.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="93810">
              <text>Lee, Sir Sidney, ed. The Dictionary of National Biography. London: Oxford University Press, 1917, XXII, 299-304.</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93811">
              <text>Biography of Gower</text>
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          <element elementId="50">
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              <elementText elementTextId="93806">
                <text>The Dictionary of National Biography.</text>
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            <name>Date</name>
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                <text>1917</text>
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  <item itemId="10051" public="1" featured="0">
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            <element elementId="50">
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      <name>GowerType</name>
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          <name>Review</name>
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              <text>Describes CA as "a larger, and a better, collection of tales than any which had preceded it in English," but agrees with James R. Lowell's opinion (1871) that the "writings of Gower are most aptly called 'works'." [RFY1981; rev. MA] </text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96376">
              <text>Rankin, Thomas E.&#13;
Aikin, William M.</text>
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          <name>Published</name>
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            <elementText elementTextId="96377">
              <text>Rankin, Thomas E., and William M. Aikin. English Literature. New York: Macmillan, 1917, pp. 10, 36, 38</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96378">
              <text>Backgrounds and General Criticism&#13;
Confessio Amantis</text>
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    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="96373">
                <text>English Literature</text>
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            <name>Date</name>
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              <elementText elementTextId="96374">
                <text>1917</text>
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  <item itemId="8560" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
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          <elementTextContainer>
            <elementText elementTextId="84860">
              <text>Bradley analyzes the influence of Gower's line "hebenus, that slepy tree" (CA 4.3017), itself borrowed from Ovid's Metamorphoses, on Marlowe and Shakespeare. In the Jew of Malta, Marlowe refers to the "juice of Hebon" as a deadly poison, likely because he remembered Gower's line out of context, and thought that the ebony tree had a narcotic juice. Shakespeare's "juice of Hebona" (in Hamlet) is influenced by a memory of Marlowe's line, although it appears that Shakespeare thought that "hebon" was the same as "henbane," considered a serious poison in the sixteenth century. [CvD]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
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              <text>Bradley, Henry</text>
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        </element>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="84862">
              <text>Bradley, Henry. "'Cursed Hebenon' (or 'Hebona')." Modern Language Review 15.1 (1920), pp. 85-87.</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="84863">
              <text>Confessio Amantis</text>
            </elementText>
            <elementText elementTextId="84864">
              <text>Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="84856">
                <text>'Cursed Hebenon' (or 'Hebona')</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="84857">
                <text>1920</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
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              <elementText elementTextId="84858">
                <text>Article</text>
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                <text>PeerReviewed</text>
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    </elementSetContainer>
  </item>
  <item itemId="8587" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
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          <elementTextContainer>
            <elementText elementTextId="85125">
              <text>Knowlton sets out to trace the literary development of the figure Genius. After brief mention of early sources such as Claudian's Second Panegyric on the Consulship of Stilicho and Bernardus Silvester's De Mundi Universitate, Knowlton describes Genius's role in Alain of Lille, Jean de Meun, and John Gower. Whereas in Alain's De Planctu Naturae, Genius is Nature's "reverend secretary, a personage of statesman-like force" (384), in the Roman de la Rose "he has become an undignified and voluble confessor, amanuensis, and stump orator" (384). In Gower's CA, Genius continues to be associated with love affairs, but since Gower's chief aim is to tell stories, he "requires no great emphasis upon allegorical figures" (384). In the CA Genius therefore no longer retains the same conspicuous position as in Alain of Lille or Jean de Meun. [CvD]</text>
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          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="85126">
              <text>Knowlton, E. C</text>
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          </elementTextContainer>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="85127">
              <text>Knowlton, E. C. "The Allegorical Figure Genius." Classical Philology 15.4 (1920), pp. 380-384.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="85128">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="85129">
              <text>Confessio Amantis</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="85121">
                <text>The Allegorical Figure Genius</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="85122">
                <text>1920</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="85123">
                <text>Article</text>
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                <text>PeerReviewed</text>
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    </elementSetContainer>
  </item>
  <item itemId="9914" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
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    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
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          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95554">
              <text>Lists Gower as a fourteenth-century poet, and CA as a source for Shakespeare. [RFY1981]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95555">
              <text>Reynolds, George P.&#13;
Greever, Garland.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95556">
              <text>Reynolds, George P., and Garland Greever. The Facts and Backgrounds of Literature. New York: Century, 1920, pp. 29, 36, 70. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95557">
              <text>Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95552">
                <text>The Facts and Backgrounds of Literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="95553">
                <text>1920</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="10000" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96069">
              <text>Gower seems to know a great deal about astrology, and uses its vocabulary accurately and extensively in the CA, primarily to make religious points. He may have been the first in English to define astronomy and astrology with their modern denotations, condoned magic when used for a good purpose, was probably not interested in legal aspects of judicial astrology, and knew the French version of the "Secretum Secretorum" and perhaps the Latin "Secretum Astronomiae." [RFY1981; MA]</text>
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        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96070">
              <text>Wedel, Theodore Otto.</text>
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          </elementTextContainer>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96071">
              <text>Wedel, Theodore Otto. The Mediaeval Attitude toward Astrology, Particularly in England. Yale Studies in English, no. 60. New Haven, CT: Yale University Press, 1920, pp. 76n, 104-05, 113, 116, 122, 132-42, 147, 153. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96072">
              <text>Backgrounds and General Criticism&#13;
Confessio Amantis&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96067">
                <text>The Medieval Attitude toward Astrology, Particularly in England.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96068">
                <text>1920</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="10052" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96381">
              <text>Mentions works; notes epithet "moral Gower"; cites "Gesta Romanorum" as source. [RFY1981; rev. MA]</text>
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          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96382">
              <text>Smith, Lewis W.&#13;
Hathaway, Esse V.</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96383">
              <text>Smith, Lewis W., and Esse V. Hathaway. The Sky Line in English Literature. New York: Appleton, 1920, pp. 36, 219, 240</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96384">
              <text>Backgrounds and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96379">
                <text>The Sky Line in English Literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="96380">
                <text>1920</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25233">
                  <text>Gower Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>GowerType</name>
      <description>Customized Item type for items in the Gower Database</description>
      <elementContainer>
        <element elementId="52">
          <name>Review</name>
          <description/>
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              <text>Prints Ceix and Alceone," CA, Book IV, 2927-3123; "Adrian and Bardus," Book V, 4937-5163; reprinting Macaulay. Excellent notes and glossary. [RFY1981].</text>
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              <text>Hankins, John E. Sources and Meaning in Spenser's Allegory: A Study in the "Faerie Queene." Oxford: Clarendon Press, 1921, pp. 9n, 298. </text>
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              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations</text>
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              <text>Demonstrates that the Spanish Confision del Amante was actually based on a Portuguese translation of CA. [RFY1981].</text>
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Facsimiles, Editions, and Translations</text>
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              <text>Examines Gower as an early English example of a court-supported poet, with comments on laureation. [RFY1981; rev. MA]</text>
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              <text>Backgrounds and General Criticism&#13;
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              <text>In Gower's poetry, as in that of Chaucer and the French poets, Natura is a figure of fecundity. [RFY1981]</text>
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              <text>Primarily a study of Chaucer's "Legend of Good Women," but notes that it and CA have much in common, including both being "quasi-parodies" of religious literature. [RFY1981].</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Confessio Amantis</text>
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              <text>The impulse for Chaucer's revision of the Prologue to the "Legend of Good Women" probably came from a request by Venus in Book VIII of Gower's CA, that Chaucer continue his work. [RFY1981]</text>
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              <text>Griffith, D. D. "An Interpretation of Chaucer's 'Legend of Good Women'." The Manly Anniversary Studies in Language and Literature (Chicago: University of Chicago Press, 1923), pp. 32-43. Rpt. in Edward Wagenknecht, ed. Chaucer: Modern Essays in Criticism (London: Oxford University Press, 1959), pp. 396-404. </text>
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              <text>Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>Unexamined. [RFY1981]</text>
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              <text>Backgrounds and General Criticism</text>
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              <text>Good, concise biography, generally favorable description of works, with tomb picture (from British Museum print, in black and white). [RFY1981]</text>
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              <text>Buchan, John. A History of English Literature. New York: Nelson and Sons, 1923, pp. 3, 7, 26-28. </text>
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              <text>Backgrounds and General Criticism&#13;
Biography of Gower</text>
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                <text>A History of English Literature.</text>
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                <text>1923</text>
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              <text>Vising, Johan. Anglo-Norman Language and Literature. London: Oxford University Press, 1923. 111 pp.</text>
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              <text>Bibliographies, Reports, and Reference&#13;
Language and Word Studies&#13;
Style, Rhetoric, and Versification&#13;
Mirour de l'Omme&#13;
Cinkante Balades &#13;
Traité pour Essampler les Amants Marietz&#13;
</text>
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              <text>Vising describes the "External History" and "Character" of the Anglo-Norman language, and outlines the history of its literature, with an extensive catalog of works written in Anglo-Norman. Along the way he cites examples from "Mirour de l'Omme" of Gower's awareness of the "internal decay" of the language (27), refers to morphological confusion of "u" and "o" and of "u" and "ui" in Gower's works as identified by Alfred Tanneberger in 1910 (29), and describes MO as the "last considerable representative" of AN literature (39). In his catalog of fourteenth-century AN literature, Vising includes brief descriptions of "Cinkante Balades," MO, and "Traité pour Essampler les Amants Marietz" (72-73; items 360, 369-70) and, in a general discussion of AN versification, attributes Gower's "exceptional" combination of "adherence to English rhythm with the French syllabic system" to him being a "learned man," who "had spent considerable time in Paris" (82)--the latter, an incorrect assertion. [MA. Copyright. John Gower Society. eJGN 43.2]</text>
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                <text>1923</text>
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              <text>This brief article is a sequel to Knowlton's 1920 piece "The Allegorical Figure of Genius," published in "Classical Philology." In the sequel, Knowlton focuses on the characterization of Genius after the composition of the "De Planctu Naturae" by Alan of Lille. Knowlton argues that after "his establishment on a lofty plane by Alan of Lille, Genius steadily altered for the worse, either in power or in morality" (95). In Jean de Meun, Genius is already portrayed more cynically, although he retains his respectable authority. Gower, afterwards, "brought him back to sober consideration by associating him directly with human beings, and accordingly deprived him of the majestic aloofness of Alan's excommunicator; still, he did not leave him as Jean's half-grotesque, vigorous demigod" (89). Knowlton further points out that Gower's Genius acts inconsistently. While Genius professes to know little except Venus's service, he provides an extensive account of knowledge in Book 7 of the CA. He also denies the divinity of Venus in Book 5. After this short exposition of Gower's Genius, Knowlton investigates the late medieval French reception of Genius, with a particular focus on Jean Lemaire and Clément Marot. [CvD]</text>
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              <text>Knowlton, E. C. "Genius as an Allegorical Figure." Modern Language Notes 39.2 (1924), pp. 89-95.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Confessio Amantis</text>
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              <text>Asserts that one scribe, not twenty-one as conjectured by Macaulay (1899-1902), was involved in producing the major Gower manuscripts; argues that CA, V, 7735-42, inspired Chaucer's poem "Truth"; accepts Max Förster's argument (1899) that the "Balade Moral" was rightly attributed to Gower by John Shirley in MS Ashmolean 59; and claims that in CA, V, 698-706, Gower made a "modern moral" of the material of Chaucer's "Brooch of Thebes," a poem Gower "almost certainly knew." [RFY1981; rev. MA].</text>
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              <text>Brusendorff, Aage.</text>
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          <elementTextContainer>
            <elementText elementTextId="94601">
              <text>Brusendorff, Aage. The Chaucer Tradition. London: Oxford University Press, 1925, pp. 56-57n., 204-05, 235n, 268n3. </text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
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              <text>Manuscripts and Textual Studies&#13;
Sources, Analogues, and Literary Relations&#13;
Influence and Later Allusion</text>
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                <text>The Chaucer Tradition.</text>
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                <text>1925</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <elementText elementTextId="95572">
              <text>Gower's CA is one of Spenser's models for "Mother Hubberds Tale." [RFY1981]</text>
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              <text>Introduces Gower's life briefly, and prints CA, Prologue 193-355; Book III, 2485-2516; Book V, 1803-24; Book VI, 1285-1357. Reprints Macaulay; notes and glosses at bottom of page. [RFY1981].</text>
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              <text>Davies, R. Trevor, compiler. Documents Illustrating the History of Civilization in Medieval England, 1066-1500. New York: Dutton; London: Methuen, 1926, pp. 253-63.</text>
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              <text>Confessio Amantis&#13;
Facsimiles, Editions, and Translations&#13;
Biography of Gower</text>
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              <text>Textual critique of Birch-Hirschfeld edition (1909) of the late-medieval Spanish translation of CA; broadens speculations about the Portuguese original of the Spanish text. [RFY1981].</text>
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              <text>Pietsch, Karl. "Zum Text der Confision del Amante por Joan Goer." Zeitschrift für Romanische Philologie 46 (1926): 428-44. </text>
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Facsimiles, Editions, and Translations</text>
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              <text>Aurner, Nellie Slayton. Caxton: Mirrour of Fifteenth-Century Letters. A Study of the Literature of the First English Press. Boston and New York: Houghton Mifflin, 1926, pp. 168-69. </text>
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Confessio Amantis</text>
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              <text>Brief and somewhat inaccurate description of Caxton's edition of CA (1483); apparently Aurner was unaware that CA exists in more than one version, mentioning differences between Caxton's version and that of Berthelette (1532). [RFY1981].</text>
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              <text>Manly, John M. Some New Light on Chaucer. New York: Henry Holt, 1926, pp. 195, 251, 295</text>
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              <text>Mirour de l'Omme (Speculum Meditantis)&#13;
Biography of Gower</text>
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                <text>1926</text>
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              <text>Unexamined. [RFY1981].</text>
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              <text>Narr, Alfred.</text>
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              <text>Narr, Alfred. Die Syntax in John Gowers Confessio Amantis. Ph.D. dissertation. Vienna University, 1926</text>
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          <elementTextContainer>
            <elementText elementTextId="94671">
              <text>Discusses MO, VC, and CA as examples of a late-fourteenth-century didactic style and compares them with works by Chaucer. [RFY1981]</text>
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              <text>Courthope, W. J. A History of English Poetry. New York: Macmillan, 1926, I: 302-21</text>
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            <elementText elementTextId="94674">
              <text>Backgrounds and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="94669">
                <text>A History of English Poetry.</text>
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            <name>Date</name>
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                <text>1926</text>
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            <elementText elementTextId="94697">
              <text>Coulton, G. G. The Medieval Village. Cambridge: Cambridge University Press, 1931, pp. 181, 186-87, 212, 215, 235ff., 248, 259, 273, 296, 447, 512, 523. </text>
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          </elementTextContainer>
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            <elementText elementTextId="94698">
              <text>Backgrounds and General Criticism</text>
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          </elementTextContainer>
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          <name>Review</name>
          <description/>
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              <text>Uses Gower's works as historical evidence to show what people in the fourteenth century "really thought" about such topics as "equality," "hunting parson," "peasants," etc. [RFY1981]</text>
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                <text>1926</text>
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          <elementTextContainer>
            <elementText elementTextId="95578">
              <text>Dismisses any direct influence by Gower on Spenser. [RFY1981]</text>
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          </elementTextContainer>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="95579">
              <text>Tupper, Frederick.</text>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="95580">
              <text>Tupper, Frederick. Types of Society in Medieval Literature. New York: Henry Holt, 1926, p. 79. </text>
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          </elementTextContainer>
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        <element elementId="56">
          <name>Gower Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="95581">
              <text>Influence and Later Allusion</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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              <elementText elementTextId="95576">
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            <name>Date</name>
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              <elementText elementTextId="95577">
                <text>1926</text>
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  <item itemId="9963" public="1" featured="0">
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            <elementText elementTextId="95848">
              <text>Gower and Chaucer both use arguments which John Ball might have used to teach duty. [RFY19811]</text>
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              <text>Raleigh, Sir Walter.</text>
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        <element elementId="55">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="95850">
              <text>Raleigh, Sir Walter. On Writing and Writers: Being Extracts from His Notebooks. Selected and edited by George Gordon. London: Edward Arnold, 1926, p. 105. </text>
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          <name>Gower Subject</name>
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          <elementTextContainer>
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              <text>Influence and Later Allusion</text>
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                <text>1926</text>
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  <item itemId="10056" public="1" featured="0">
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            <elementText elementTextId="96405">
              <text>Moral Gower "never rose above the plane of dull mediocrity." [RFY1981]</text>
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        <element elementId="97">
          <name>Author/Editor</name>
          <description>Author/Editor</description>
          <elementTextContainer>
            <elementText elementTextId="96406">
              <text>Houston, Percy Hazen.</text>
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        <element elementId="55">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="96407">
              <text>Houston, Percy Hazen. Main Currents of English Literature: A Brief Literary History of the English People. New York: Crofts, 1926, pp. 39, 50, 51, 463, 494. </text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Gower Subject</name>
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            <elementText elementTextId="96408">
              <text>Backgrounds and General Criticism</text>
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          <element elementId="50">
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            <elementTextContainer>
              <elementText elementTextId="96403">
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            </elementTextContainer>
          </element>
          <element elementId="40">
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                <text>1926</text>
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            <elementText elementTextId="96411">
              <text>Brief biography and assessment of individual works: Gower was more a moralist than a poet. [RFY1981]</text>
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          <name>Author/Editor</name>
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              <text>Legouis, Emile.&#13;
Cazamian, Louis.</text>
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            <elementText elementTextId="96413">
              <text>Legouis, Emile, and Louis Cazamian. A History of English Literature. 2 vols. Translated by H. D. Irvine. London and Toronto: Dent, 1926, pp. 77-81, 82, 83, 93, 99, 103, 106, 277. </text>
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          <name>Gower Subject</name>
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              <text>Backgrounds and General Criticism</text>
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          <element elementId="50">
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              <elementText elementTextId="96409">
                <text>A History of English Literature.</text>
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                <text>1926</text>
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              <text>Gower was a friend of Chaucer, a man of London, and a poet of some ability, although he wrote more than he should have. Prints and comments on Gower's Tale of Ceyx and Alcyone (CA Book IV) and Chaucer's version of the story from the "Book of the Duchess," followed by a portion of the Tale of Constance and of "The Man of Law's Tale." [RFY1981; rev. MA]</text>
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Confessio Amantis&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>This wide-ranging study of the figure of Fortuna in medieval literature is based upon Patch's 1915 Harvard dissertation. As Patch states in the preface, given the ubiquitousness of the subject, it would be close-to-impossible to be exhaustive in its coverage. Instead, Patch will "meander through the subject, avoiding the systematic, and taking up each bit of material for what it is worth." Since Fortuna as a literary figure, or trope, is so dependent upon its philosophical and theological contexts, Patch begins by exploring the transformation of Fortuna from antiquity into the Middle Ages, which came to construct Fortuna as both a pagan and Christian figure, one which allowed medieval thinkers to interrogate how a world ruled by a unified and constant deity could itself be so mutable and inconstant. Patch's second chapter, "Traditional Themes of Fortune in Medieval Literature," addresses both the physical descriptions of and themes associated with Fortuna in literary texts. Chapter three, "Functions and Cults," describes the duties associated with the goddess Fortuna, and chapter four, "The Dwelling-Place of Fortune," describes the locales in which Fortune appears in texts. The final chapter focuses upon the image of Fortune's Wheel. Patch's descriptions and discussions do indeed range far and wide in the literary milieux, from Abelard and Heloise to William of Malmesbury. Gower figures prominently (possibly more prominently than any other author) as an example throughout the study, and Patch draws liberally from Gower's entire trilingual oeuvre. Gower's CB XX, for example, provides an example of Fortune turning someone so far down under the wheel that it is impossible for that person to rise again (157). The MO provides an example of Fortune dealing in "aventures" (40). Fortune's weapons are exemplified in the VC 122 (85). And of course the CA provides a wealth of descriptive examples of Fortune's role, appearance, and use, from Fortune bringing enemies together to fight in CA VII.892 (108) to the belief that "Fortune's gifts, after all, come from the stars" in CA VII.639 (77). As a descriptive work, this study does not provide extended analyses or discussions on any one text or author; instead, as the prior examples demonstrate, it uses copious references to provide examples Fortune's appearances and how that figure is used in the texts. As such it would be an extremely useful reference work for any study focusing on this widely deployed figure. [BWG. Copyright. John Gower Society. eJGN 42.1]</text>
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              <text>Patch, Howard. The Goddess Fortuna in Mediaeval Literature. Cambridge: Harvard UP, 1927. Rpt. New York: Octagon Books, 1967. </text>
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              <text>Backgrounds and General Criticism&#13;
Mirour de l'Omme (Speculum Meditantis)&#13;
Cinkante Balades&#13;
Vox Clamantis&#13;
Confessio Amantis</text>
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1967</text>
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              <text>Hamilton begins by arguing that Gower's account of Hercules is "a dovetailing of phrases from the Latin and French versions of Barlaam [and Josaphat], the enlarged Roman de Troie [see Hamilton's 1905 article for this hypothetical source], and maybe, from the Historia Trojana" (496). He then adds that some details – in particular, the number of Hercules' "merveiles" – are borrowed from redaction J2 (not Macaulay's J3) of the Historia de Preliis of Archypresbyter Leo. Lastly, Gower's emphasis on the contrast between Hercules' ignominious death (borrowed from the first set of sources) and Hercules' great deeds (borrowed from the Historia de Preliis), may be indebted to a passage from Walter Map's Dissuasio Valerii ad Ruffinum Philosophum ne Uxorem Ducat where the fatal gift of Deianira becomes Hercules's thirteenth labour. Lastly, Gower's comments on "Fortitudo" are borrowed from the Poetarius of Albericus of London. Hamilton then provides a brief discussion of the concept of fortitude in Gower's works, before moving on to an examination of the sources of the story of Nectanabus in Book 6 of the CA. Here too the Historia de Preliis is used to supply additional information, such as the idea that Nectanabus was king of Egypt. Other sources or analogues Hamilton mentions include the Roman de la Rose, Brunetto Latini's Tresor, and the Anglo-Norman Roman de Toute Chevalerie of Thomas of Kent. Hamilton dedicates special attention to the source of Gower's reference to the pillars of Hercules. [CvD]</text>
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              <text>Hamilton, George L. "Studies in the Sources of Gower. I. The Latin and French Versions of 'Barlaam and Josaphat,' and of the 'Legendary History of Alexander the Great.'." Journal of English and Germanic Philology 26 (1927), pp. 491-520.</text>
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              <text>Audiau argues that in England there was a brief flowering of amorous poetry in the style of the Troubadours. The most significant imitators were Chaucer and (especially) Gower. Audiau provides a lengthy catalogue of examples where Gower's CB echoes the sentiments and metaphors of writers like Peire Vidal and Bernard de Ventadour. Audiau acknowledges that Gower may instead have copied the Trouveres and writers such as Petrarch, but he holds out the possibility that Gower knew Troubadour poetry directly. [CvD]</text>
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Style, Rhetoric, and Versification&#13;
Cinkante Balades&#13;
Traitié pour Essampler les Amants Marietz</text>
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              <text>Gower's, Trivet's, and Chaucer's versions of the tale of Constance form a group; Appendix III gives a careful synopsis of their relationship. [RFY1981].</text>
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Confessio Amantis</text>
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